Masahiko Togashi's ' "Fourth Expression" was released on its scheduled release date, April 8, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of WaJazz: Japanese Jazz Spectacle Vol.I - Deep, Heavy and Beautiful Jazz from Japan 1968-1984 - The Nippon Columbia masters - Selected by Yusuke Ogawa (Universounds) by Various Artists. The song's track number on the album is #7 out of 8 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, Fourth Expression is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Fourth Expression by Masahiko Togashi has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Fourth Expression being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leaves | Pete Jolly | C Major | 0 | 8B | 133 BPM | ||
| I Lost My Step in Nantucket | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Soul Village | Walter Bishop, Jr. | C Minor | 6 | 5A | 133 BPM | ||
| A Blind Man | 中村新太郎クインテット | F Minor | 4 | 4A | 100 BPM | ||
| 3000B.C. | 鈴木 宏昌トリオ | C Minor | 3 | 5A | 116 BPM | ||
| La Vuelta | Sergio Mihanovich, Gato Barbieri | A♭ Major | 1 | 4B | 129 BPM | ||
| In a Silent Way | Joe Zawinul, Lewis Hahn | A Major | 2 | 11B | 70 BPM | ||
| A Rose For Cindy | Roy Ayers | F Major | 2 | 7B | 110 BPM | ||
| Big Noise From Winnetka | Chico Hamilton | F Major | 5 | 7B | 88 BPM | ||
| Three Way Mirror | HESITATION | E Major | 2 | 12B | 115 BPM | ||
| Part 2 - For H. / Part 3 - For Jan | Kenny Wheeler, Stan Sulzmann, Dave Horler, Norma Winstone | A Minor | 3 | 8A | 79 BPM | ||
| Mountain in the Clouds | Miroslav Vitous | G Major | 5 | 9B | 111 BPM | ||
| Portal | Matthew Shipp, Gerald Cleaver, Khan Jamal, William Parker | E Minor | 5 | 9A | 168 BPM | ||
| Games | Dorothy Ashby | B♭ Major | 5 | 6B | 153 BPM | ||
| Yesterdays | Dorothy Ashby, Frank Wess | D Minor | 2 | 7A | 80 BPM | ||
| 6-77AR-36K (Opus 23B) | Anthony Braxton | G Minor | 5 | 6A | 145 BPM | ||
| ローミング・アラウンド | Masabumi Kikuchi, Masahiko Togashi | D♭ Major | 6 | 3B | 73 BPM | ||
| Afro Blue | TAKAO UEMATSU | G Minor | 9 | 6A | 121 BPM | ||
| Tornado | Isao Suzuki, Masahiko Togashi, Hideo Ichikawa, Akira Shiomoto | F Minor | 7 | 4A | 122 BPM | ||
| Theme for Mark | Abdullah Ibrahim | F♯ Major | 0 | 2B | 136 BPM | ||
| First Flight | 片山光明 | F Minor | 6 | 4A | 114 BPM | ||
| Silver Hollow | Jack DeJohnette New Directions | B Minor | 1 | 10A | 112 BPM | ||
| Eternal Flame | Bennie Maupin | C Major | 3 | 8B | 89 BPM | ||
| Filigree | John Surman | G Minor | 1 | 6A | 149 BPM | ||
| Lovely Afternoon | KHAN JAMAL | A♭ Major | 8 | 4B | 175 BPM |