David Sánchez's ' "Los Cronopios" was released on its scheduled release date, August 23, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "STREET SCENES". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Los Cronopios's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Los Cronopios by David Sánchez having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morriña | Benjamín García, Lucas Martinez, Antonio Sánchez | B♭ Minor | 4 | 3A | 88 BPM | ||
| Fried Everything | Jim Pearce | B♭ Minor | 6 | 3A | 100 BPM | ||
| Caryisms | Roy Hargrove Quintet | F♯ Major | 4 | 2B | 109 BPM | ||
| Fox & Videogamez | Mr. Ferrando | C Major | 5 | 8B | 112 BPM | ||
| And It’s Supposed to be Love | Marc Cary | D Major | 6 | 10B | 103 BPM | ||
| Return of the Light | Joe Elefante, Freddie Hendrix, Erena Terakubo, Sameer Shankar, David Heilman | A♭ Major | 5 | 4B | 117 BPM | ||
| Line Of Flight | Steve Davis, Mike DiRubbo, David Bryant, Dezron Douglas, Eric McPherson | B♭ Major | 2 | 6B | 131 BPM | ||
| City Of Lights | Tony Williams | C Major | 7 | 8B | 128 BPM | ||
| Duel in the Moonlight | Virtual Sax | B♭ Minor | 4 | 3A | 88 BPM | ||
| Our Folk | João Paulo Esteves da Silva, Julián Argüelles, Rodrigo Correia, José Salgueiro | E♭ Major | 0 | 5B | 105 BPM | ||
| Orbitando | David Sánchez | A♭ Major | 6 | 4B | 124 BPM | ||
| The Bronx Pyramid (feat. Pedrito Martinez) | Carlos Henriquez, Pedrito Martinez | E Minor | 5 | 9A | 99 BPM | ||
| Holger's Tune | Holger Marjamaa | E♭ Major | 6 | 5B | 127 BPM | ||
| Toninho | Jon Henriksson, Pelle von Bülow, Rasmus Holm | B♭ Minor | 4 | 3A | 88 BPM | ||
| Metaphysics | Tim Richards Trio | B♭ Minor | 4 | 3A | 88 BPM | ||
| Savage Velvet | Arnon Palty | D Minor | 8 | 7A | 105 BPM | ||
| A Love Supreme, Pt. 1: Acknowledgement | Branford Marsalis Quartet | F Minor | 5 | 4A | 79 BPM | ||
| Pink Walker | Francesca Tandoi, Vadalà, Matheus Nicolaiewsky, Sander Smeets, Daniele Cordisco | C Major | 4 | 8B | 122 BPM | ||
| Icons | Quintetto Lo Greco, Lo Greco Bros | D Minor | 6 | 7A | 125 BPM | ||
| Bleak Beauty | Eric Legnini Trio | D♭ Major | 8 | 3B | 107 BPM | ||
| Guarajazz | Carlos Henriquez | F Minor | 6 | 4A | 104 BPM | ||
| Bird Of Paradise | Simon Moullier | A♭ Major | 4 | 4B | 95 BPM | ||
| Carnival in San Juan | Papo Vazquez | D Minor | 7 | 7A | 145 BPM | ||
| Catch a Falling Moonbeam | The Sunset Hill Jazz Band, Paul Rossy | F Minor | 5 | 4A | 128 BPM | ||
| Lifeline | The Chick Corea New Trio | F Minor | 4 | 4A | 133 BPM |