Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Da plötzlich sah Peter, wie durch das Gras die Katze schlich by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim Song Details

"Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Da plötzlich sah Peter, wie durch das Gras die Katze schlich" by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Prokofiev: Peter und der Wolf". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Da plötzlich sah Peter, wie durch das Gras die Katze schlich is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Peter and the wolf, Op.67 - Narration in German; Text adapted by LORIOT on basis of Prokofiev's text: Da plötzlich sah Peter, wie durch das Gras die Katze schlich by Sergei Prokofiev, Loriot, English Chamber Orchestra, Daniel Barenboim having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 17%
Loudness: -26.104 dB
Acousticness: 90%
Danceability: 42%
Energy: 5%
Instrumentalness: 0%
Liveness: 12%
Loudness: 56%
Speechiness: 25%
Valence: 13%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Sorcerer's Apprentice	Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano	D♭ Major	2	3B	123 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King	Edvard Grieg, Esa-Pekka Salonen	B Minor	2	10A	104 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live	Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski	E♭ Major	4	5B	124 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	B♭ Major	2	6B	101 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace	Antonín Dvořák, New York Philharmonic, Alan Gilbert	C Major	1	8B	121 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	G Major	3	9B	87 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Symphony No. 10 in E Minor, Op. 93: II. Allegro	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	B♭ Minor	6	3A	89 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Carnival of the Animals, R. 125: Introduction and Royal March of the Lion	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon	G Major	2	9B	90 BPM
Enigma Variations, Op. 36: Theme. Andante	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	113 BPM
Borodin - String Quartet No.2 in D major: Notturno: Andante	Alexander Borodin, Borodin Quartet	A Major	2	11B	74 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	C Minor	0	5A	85 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Finlandia, Op. 26	Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales	A♭ Major	2	4B	70 BPM
Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
II. Pas de Chale	Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar	A♭ Major	2	4B	71 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM
Ruslan and Lyudmila, Op. 5, Overture	Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra	E Minor	1	9A	151 BPM
Little Red Riding Hood and the Wolf, Op. 39/6 (Arr. By Dirk Mommertz)	Sergei Rachmaninoff, Fauré Quartett	B Minor	5	10A	88 BPM
Visions Fugitives, Op. 22: XIV. Feroce	Eteri Andjaparidze, Sergei Prokofiev	D Major	2	10B	80 BPM