Harish's ' "Enneya" was released on its scheduled release date, October 26, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 8 in Chirutha Puli by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Enneya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Enneya by Harish is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lingastakam-Brama Murari Surarchita Lingam | Kumar Swamy | G Minor | 6 | 6A | 120 BPM | ||
| Teri Tirachi Najar | Devendra Deva, Harish | G Major | 9 | 9B | 132 BPM | ||
| Siva Namam | Karan, Anuradha Sriram | F♯ Minor | 5 | 11A | 85 BPM | ||
| Sivanandanane Ganeswara | Harish | C Major | 7 | 8B | 74 BPM | ||
| Bhale Bhale | Badari Prasad, Sunitha, Sadhu Kokila, Harish | A Major | 8 | 11B | 143 BPM | ||
| Amme Mookambike | Biju Narayanan, Hrithika Manij | D Major | 4 | 10B | 131 BPM | ||
| Palli Koodam | Laxman Aravinth, Harish, Rishi Ravikumar | C Minor | 9 | 5A | 127 BPM | ||
| Kaliveedurangiyallo - Female Version | Kaithapram, Manju Menon | C Minor | 3 | 5A | 80 BPM | ||
| Muthara Thayare | Divya Magesh | B♭ Major | 7 | 6B | 75 BPM | ||
| Muththannu Biththida | Rajkumar | C Minor | 7 | 5A | 128 BPM | ||
| Kalyug Ke Sheesh Dani | Binder Danoda, Sombir Khatak, Harish | F Minor | 8 | 4A | 130 BPM | ||
| Vella Kuthurai | Om Sri Anggara Kaliamman Urumee Melam Group | A Major | 10 | 11B | 182 BPM | ||
| Karunai Mazhai | Dheena, Veeramani, Maanikka Vinayagam, T. L. Maharajan | D Major | 3 | 10B | 118 BPM | ||
| Kolai Konda Porvizhi | Venkatesan Thirunaukkarasu | C Major | 6 | 8B | 140 BPM | ||
| Thiyagi Dharman | Sakthiraj, Latha, Amurthavalli | D♭ Minor | 5 | 12A | 96 BPM | ||
| Sundhari Penne | Musthafa | G Minor | 5 | 6A | 128 BPM | ||
| Kandu Njan | Aasha Menon | C Major | 6 | 8B | 150 BPM | ||
| Jaya Ganesha | Mano | F Major | 6 | 7B | 156 BPM | ||
| The Greatest Rivalry India Vs Pakistan | C. Girinandh, Devoid, MKB, Harish, Manoj Krishna, Sharan Ravin, Axat Goswami | B Minor | 7 | 10A | 126 BPM | ||
| Gau Maata Ki Takleef | Aman Jakhar, Harish | D♭ Minor | 8 | 12A | 170 BPM | ||
| Vasi Thirave Kaasu | Dharmapuram P. Swaminathan | D♭ Major | 3 | 3B | 82 BPM | ||
| Sarigamapa | S. Balakrishanan, Kalyani Menon | E Major | 3 | 12B | 144 BPM | ||
| NANDALALA KOVILAI PAREER | Suchitra Balasubramaniam, Ragavan Manian | A Major | 6 | 11B | 84 BPM | ||
| Bhola Bhandari Mera Rahta Kailash Pe | Harish | A Major | 8 | 11B | 86 BPM | ||
| Nithya Sathyamaam | Sujatha | A Minor | 7 | 8A | 130 BPM |