Martin Williams's ' "Back From The Brink" was released on its scheduled release date, September 23, 2022. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Back From The Brink's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martin Williams's "Let Them Loose" album is number 2 out of 7. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Back From The Brink is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Back From The Brink by Martin Williams to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swan Lake, Op. 20, TH. 12: Pas de trois: 2. Andante sostenuto (Arr. Eshkeri and Orch. Dannheisser) | Belgrade Philharmonic Orchestra, Andy Brown | C Minor | 1 | 5A | 90 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| African Rundown (From "Casino Royale" Soundtrack) | David Arnold | E Minor | 7 | 9A | 120 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| Main Title | John Barry | C Major | 9 | 8B | 130 BPM | ||
| The James Bond Theme Medley - Remastered | Leroy Holmes | B Major | 5 | 1B | 131 BPM | ||
| Fever | Ted Heath & His Music | F♯ Minor | 3 | 11A | 131 BPM | ||
| Let's Face The Music And Dance | Thomas Newman | C Minor | 1 | 5A | 178 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| The Barn - Love Theme | Lucie Svehlová | F Major | 3 | 7B | 78 BPM | ||
| Blij met jou! | Martin Williams | E Minor | 1 | 9A | 74 BPM | ||
| Hidden Depths | Ben Bartlett | A Minor | 1 | 8A | 90 BPM | ||
| Medley (Ilsa Returns / As Time Goes By / Bitterness / Laszlo / Agitato No. 1 / Ilsa / La Marseillaise) | The Warner Bros. Studio Orchestra | G Minor | 2 | 6A | 90 BPM | ||
| Path to Personal Glory | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
| Nel pancione della TV | Nicola Piovani | F Major | 2 | 7B | 115 BPM | ||
| The Orphan Asylum / Rooftop Chase | Charlie Chaplin | F♯ Major | 4 | 2B | 62 BPM | ||
| Paradise Theme | Philippe Rombi | E♭ Minor | 1 | 2A | 94 BPM | ||
| Bullitt - Main Title | Lalo Schifrin | C Major | 3 | 8B | 81 BPM | ||
| Theme from "The Swimmer" (Send for Me In Summer) / Big Splash | Marvin Hamlisch | F Minor | 1 | 4A | 76 BPM | ||
| Love Is a Many-Splendored Thing | Alfred Newman, Twentieth Century Fox Orchestra | C Major | 1 | 8B | 86 BPM | ||
| The Rosemary and Thyme Caprice | Christopher Gunning, Rumon Gamba, Craig Ogden, BBC Philharmonic Orchestra | E Minor | 0 | 9A | 84 BPM | ||
| Smoke Gets In Your Eyes | Jerome Kern, Amy Dickson, London Session Orchestra | E♭ Major | 1 | 5B | 85 BPM | ||
| Bond 77 | Marvin Hamlisch | F Major | 5 | 7B | 122 BPM | ||
| La notte di San Lorenzo | Nicola Piovani | A Minor | 0 | 8A | 123 BPM | ||
| Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM |