"La Última Grela" by Susana Rinaldi, Leopoldo Federico had its release date on April 29, 2011. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vos y yo by Susana Rinaldi, Leopoldo Federico. The song's track number on the album is #5 out of 9 tracks. La Última Grela is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La Última Grela by Susana Rinaldi, Leopoldo Federico has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Última Grela being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gricel | Omar Mollo | E Minor | 6 | 9A | 146 BPM | ||
| Y Todavía Te Quiero | Estela Raval | D♭ Minor | 6 | 12A | 108 BPM | ||
| La Puñalada | Francisco Canaro Y Su Orquesta Tipica | G Major | 4 | 9B | 120 BPM | ||
| Mas Solo Que Nunca | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| Tal vez será su voz | Lidia Borda, Orquesta El Arranque | G Major | 3 | 9B | 83 BPM | ||
| Los Pajaros Perdidos | José Angel Trelles | F Minor | 4 | 4A | 94 BPM | ||
| Cambalache | Tita Merello, Francisco Canaro Y Su Orquesta Tipica | A Major | 4 | 11B | 131 BPM | ||
| Baldosa Floja | Soledad Villamil | F♯ Major | 6 | 2B | 95 BPM | ||
| Gricel | Spinettango | D Minor | 3 | 7A | 104 BPM | ||
| Malena | Anibal Troilo y su orquesta, Francisco Fiorentino | B Minor | 3 | 10A | 124 BPM | ||
| De Contramano | Soledad Villamil | A Major | 4 | 11B | 164 BPM | ||
| Milonga Sentimental | Tangos de Oro | C Minor | 5 | 5A | 117 BPM | ||
| Tango Medley (Mi Buenos Aires querido - A media luz - Celos) | Fabio Hager Sexteto | D Major | 3 | 10B | 114 BPM | ||
| Vida mía | Lidia Borda, Orquesta El Arranque | G Major | 4 | 9B | 110 BPM | ||
| Patas Cortas | Javier Leone | D Minor | 3 | 7A | 109 BPM | ||
| Porque vas a venir | Tango Bardo, Antonela Alfonso | D Minor | 4 | 7A | 115 BPM | ||
| Besos brujos | Romántica Milonguera | C Major | 3 | 8B | 128 BPM | ||
| Malena (feat. Walter Ríos & Ricardo Domínguez) | Maria Graña, Walter Ríos, Ricardo Dominguez | B Minor | 2 | 10A | 69 BPM | ||
| Tormentosa | Amores Tangos, Cóndor Sbarbati, Dani Suárez, Limón García | G Major | 6 | 9B | 96 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Cordón | Chico Novarro | G Major | 2 | 9B | 151 BPM | ||
| Malena | Rosanna Falasca | G Minor | 3 | 6A | 92 BPM | ||
| Desde el alma | Nelly Omar | E Minor | 5 | 9A | 89 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Sin Sabor | Edgardo Donato, Lita Morales, Horacio Lagos | C Major | 1 | 8B | 130 BPM |