"You're Billy" by Graham Reynolds had its release date on May 31, 2024. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Graham Reynolds's "Hit Man (Soundtrack from the Netflix Film)" album is number 2 out of 12. Based on our statistics, You're Billy's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You're Billy by Graham Reynolds to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What She Could Not Say | Topshe | F Major | 3 | 7B | 126 BPM | ||
| Holding on to Hope | Jeff Russo | G Major | 2 | 9B | 140 BPM | ||
| The Wake | Nathan Johnson | G Minor | 0 | 6A | 70 BPM | ||
| Etude No. 16 | Philip Glass, Joanna Sochacka | G Minor | 0 | 6A | 66 BPM | ||
| A Wish (for Fred and Scott) | Richard Cortez, Esteban Castro | F Major | 0 | 7B | 102 BPM | ||
| Becoming | Tony Woollard, Curve Ensemble | A♭ Major | 3 | 4B | 102 BPM | ||
| Ballade, L. 70 | Claude Debussy, Eline Marlene | B♭ Major | 0 | 6B | 70 BPM | ||
| Time to Act | Michael Bean | B♭ Major | 1 | 6B | 107 BPM | ||
| My Little One | Rupert Sachs | B♭ Major | 0 | 6B | 132 BPM | ||
| Enada on the Bench | Sonny & Gina | B Minor | 0 | 10A | 108 BPM | ||
| Edward's Story on the Train & Grace Is Gone | Alex Heffes | G Minor | 0 | 6A | 63 BPM | ||
| Deep Focus in the Fjords | Wolfgang Brecht | C Major | 1 | 8B | 142 BPM | ||
| The Coward | Yos Munro | B♭ Minor | 1 | 3A | 164 BPM | ||
| Velvet Silence | Naskal | B♭ Major | 0 | 6B | 70 BPM | ||
| Rodent Heart | Andreas Busk | B♭ Major | 0 | 6B | 70 BPM | ||
| The French Lady | Daniel Pemberton | C Major | 4 | 8B | 89 BPM | ||
| Tom - Piano Sketch | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| The Deadline | Olivia Watso | B♭ Major | 1 | 6B | 52 BPM | ||
| Postludium | Christina Sandsengen | E Major | 0 | 12B | 141 BPM | ||
| Driveaway - Original Piano | Oliver Coates | E Major | 0 | 12B | 134 BPM | ||
| Millions of Stars | The Newton Brothers | E Major | 0 | 12B | 77 BPM | ||
| A Proper Angel | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Trembling Light | Marco Martini | G Minor | 1 | 6A | 155 BPM | ||
| The War in My Head | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| The Confession | Jordan Seigel | G Minor | 1 | 6A | 74 BPM |