John Davidson's ' "Dakota" was released on its scheduled release date, May 8, 1968. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Davidson's "Goin' Places" album is number 9 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Dakota is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dakota by John Davidson to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forest of No Return | The Singing Trees | E♭ Major | 3 | 5B | 106 BPM | ||
| Over There | James Cagney & Frances Langford | E Major | 6 | 12B | 131 BPM | ||
| If Ever I Would Leave You - Love Montage | Frances Nero, Lee Herschberg | B♭ Major | 2 | 6B | 66 BPM | ||
| Chapel of the Roses | Malcolm Vaughan | G Major | 2 | 9B | 82 BPM | ||
| Slowly He Sank to the Bottom of the Sea | Ray Bolger, Henry Calvin | C Minor | 5 | 5A | 82 BPM | ||
| Younger Than Springtime (From South Pacific) | John Kerr, Bill Lee | A♭ Major | 4 | 4B | 84 BPM | ||
| Two Sleepy People - Remastered | Bob Hope | C Major | 4 | 8B | 93 BPM | ||
| Ember | DETTI PENCE | B Minor | 3 | 10A | 100 BPM | ||
| Chapter 175 - The Murder of Marion Miley | Beverly Bell, John Davidson, Colleen Delany, Peter Holdway, James Konicek, Kelsey D. Phelps | A Major | 2 | 11B | 104 BPM | ||
| Those Were the Good Old Days | Ray Walston | D♭ Minor | 2 | 12A | 124 BPM | ||
| How to Handle a Woman - King Arthur | Richard Harris, Lee Herschberg | D Major | 1 | 10B | 80 BPM | ||
| Lida Rose, Will I Ever Tell You (feat. Shirley Jones) | The Buffalo Bills, Shirley Jones | G Major | 3 | 9B | 110 BPM | ||
| Just In Time | Judy Holliday | G Minor | 1 | 6A | 121 BPM | ||
| Baby Baby Baby | Tommy Edwards | C Major | 1 | 8B | 89 BPM | ||
| Just a Toy | Annette Funicello, Tommy Sands | F♯ Minor | 2 | 11A | 179 BPM | ||
| May Tomorrow Be A Perfect Day | Donny & Marie Osmond | E♭ Major | 4 | 5B | 80 BPM | ||
| Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM | ||
| The Windmills of Your Mind | John Davidson | E♭ Minor | 4 | 2A | 142 BPM | ||
| A Step In The Right Direction - From "Bedknobs and Broomsticks"/Soundtrack Version | Angela Lansbury | F Major | 5 | 7B | 121 BPM | ||
| Time After Time | The Four Lads | C Minor | 3 | 5A | 88 BPM | ||
| Seventy Six Trombones | Robert Preston, Meredith Wilson, Broadway Cast | A♭ Major | 6 | 4B | 129 BPM | ||
| A Quiet Thing | John Gary | B♭ Major | 2 | 6B | 81 BPM | ||
| Gidget | James Darren | E Minor | 2 | 9A | 118 BPM | ||
| Eglantine, Don't Let Me Down (Reprise: Eglantine) - From "Bedknobs and Broomsticks"/Soundtrack Version | Angela Lansbury, David Tomlinson | A♭ Major | 5 | 4B | 124 BPM | ||
| Wonderful, Wonderful Day | Jane Powell | F Major | 1 | 7B | 106 BPM |