Monday Michiru's ' "Soulception Interlude" was released on its scheduled release date, July 17, 2012. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Soulception". In this album, this song's track order is #1. The popularity of Soulception Interlude is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Soulception Interlude by Monday Michiru having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything Is Changing | Groove Collective | G Major | 9 | 9B | 120 BPM | ||
| Battened Ships | 矢舟テツロー, Ann Sally | E Major | 1 | 12B | 177 BPM | ||
| This Journey in (CD Edit) | The Rebirth | D♭ Major | 7 | 3B | 105 BPM | ||
| Common Ends | The Rebirth | A Minor | 7 | 8A | 172 BPM | ||
| Will You Love Me Tomorrow | Monday Michiru | B♭ Minor | 3 | 3A | 105 BPM | ||
| Make You Smile | Brenda Russell | A♭ Major | 9 | 4B | 108 BPM | ||
| The Best In Town | Phunk Station, José Côrte-Real | B♭ Minor | 7 | 3A | 96 BPM | ||
| Nowhere | Aquanote | A♭ Major | 7 | 4B | 117 BPM | ||
| Miracles | 矢舟テツロー, WAY WAVE | A Major | 6 | 11B | 132 BPM | ||
| Breaking Down | Ananda Project | A♭ Major | 10 | 4B | 124 BPM | ||
| Endless Flight | Kyoto Jazz Massive | A♭ Minor | 9 | 1A | 127 BPM | ||
| I'm Gonna Love You Just a Little More Babe | Monday Michiru | D Minor | 5 | 7A | 89 BPM | ||
| Keep On Making Me High - Belle Et Fou Version | Jazzanova, Georg Levin | A Minor | 6 | 8A | 127 BPM | ||
| Spartacus | Hidefumi Ino | E Minor | 9 | 9A | 92 BPM | ||
| So Much More Together | Solsonics | A Minor | 7 | 8A | 103 BPM | ||
| Sands of Time - David federmann Rework | Monday Michiru | B♭ Minor | 9 | 3A | 123 BPM | ||
| シンプル・ラブ | Natsudaidai | A♭ Major | 4 | 4B | 140 BPM | ||
| Suite 610 | Monday Michiru | G Major | 7 | 9B | 138 BPM | ||
| Get Through To You | Dira | A Minor | 8 | 8A | 108 BPM | ||
| All Is One | Quasimode | C Minor | 9 | 5A | 122 BPM | ||
| BRIGHT LIKE LIGHT | DJ KAWASAKI, 藤井リナ | A Minor | 8 | 8A | 126 BPM | ||
| Midnight at the oasis | Hidefumi Ino | B♭ Minor | 7 | 3A | 108 BPM | ||
| Righteous | The Quiet Boys | B♭ Minor | 6 | 3A | 98 BPM | ||
| One | Monday Michiru | F Major | 6 | 7B | 109 BPM | ||
| You Gotta Let Go | 矢舟テツロー, Miyuki Hatakeyama | F Major | 9 | 7B | 115 BPM |