"String Quartet in C Major, Op. 20 No. 2, Hob. III:32: II. Adagio" by Franz Joseph Haydn, Chiaroscuro Quartet had its release date on July 1, 2016. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Chiaroscuro Quartet's "Haydn: String Quartets, Op. 20 Nos. 1-3" album is number 6 out of 12. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, String Quartet in C Major, Op. 20 No. 2, Hob. III:32: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet in C Major, Op. 20 No. 2, Hob. III:32: II. Adagio by Franz Joseph Haydn, Chiaroscuro Quartet to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Concerto in C Major, Wq. 20: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | C Major | 1 | 8B | 136 BPM | ||
| Symphony in F Major, F. 28: I. Allegro | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 150 BPM | ||
| ブルクミュラー25の練習曲: 16. ちょっとした悲しみ | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Sinfonia Weinen, Klagen, Sorgen, Zagen (BWV 12) | Thomas Indermühle | F Minor | 1 | 4A | 48 BPM | ||
| El rapto de las Sabinas, Suite No. 2, Acto II, No. 14: Maestoso | Joan Enric Lluna, Moonwinds | E♭ Major | 1 | 5B | 135 BPM | ||
| Angiolina, ossia Il matrimonio per sussuro Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 104 BPM | ||
| Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
| Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
| Concerto for Harpsichord, Strings, and Continuo No. 7 in G minor, BWV 1058: 2. Andante | Johann Sebastian Bach, András Schiff, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
| String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": IV. Finale | Franz Joseph Haydn, Chiaroscuro Quartet | C Minor | 1 | 5A | 100 BPM | ||
| ホルン協奏曲 第3番 変ホ長調 K.447 第1楽章 アレグロ | ペテル・ヘルニッフ, Marcello Rota, チェコ・ナショナル交響楽団 | E♭ Major | 1 | 5B | 113 BPM | ||
| Mozart: Sinfonia concertante in E-Flat Major, K. 297b: III. Andantino con variazioni: (l) Allegro | Emmanuel Pahud, Gilbert Audin, Radovan Vlatkovic | C Major | 4 | 8B | 103 BPM | ||
| Serenade in D Major, Op. 23, No. 2, G. 146: II. Pastorale. Più tosto allegro (Version for flute and piano) | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 91 BPM | ||
| Arcangelo Corelli: Sonata for violin & continuo in F major, Op. 5/10 (Giga) | Arcangelo Corelli, I Solisti di Zagreb, Antonio Janigro | G Major | 3 | 9B | 115 BPM | ||
| Flute Concerto in D Major: II. Andante mezza voce | Josef Mysliviček, Ana de la Vega, English Chamber Orchestra | D Major | 1 | 10B | 133 BPM | ||
| ブルクミュラー25の練習曲: 10. やさしい花 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Quartet in F Major: II. Adagio sustenuto | Friedrich Witt, Consortium Classicum | B♭ Major | 1 | 6B | 120 BPM | ||
| Sinfonia in A Major, WolS I. A-3: III. Presto | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| Sunrise Chant | Nuit | C Major | 0 | 8B | 132 BPM | ||
| Symphony in A-Flat Major, Bryan Ab1: IV. Finale: Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
| Armide, Acte I: Ouverture | Jean-Baptiste Lully, Louis-Joseph Francoeur, Le Concert Spirituel, Herve Niquet | F Minor | 3 | 4A | 166 BPM | ||
| Hummel: Viola Sonata in E-Flat Major, Op. 5 No. 3: II. Adagio cantabile | Johann Nepomuk Hummel, Gérard Caussé, François-René Duchâble, Françoise Garcin | B♭ Major | 0 | 6B | 82 BPM | ||
| Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Swiss Chamber Soloists | D Minor | 1 | 7A | 79 BPM | ||
| Orfeo ed Euridice: Overtura | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | G Major | 2 | 9B | 76 BPM | ||
| Violin Sonata in F Major, MWV Q26: III. Assai vivace | Felix Mendelssohn, Manon Galy, Jorge Gonzalez Buajasan | C Major | 0 | 8B | 132 BPM |