"Breach The House" by Ruth Barrett, Steffen Thum had its release date on July 2, 2025. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "The Old Guard 2 (Soundtrack from the Netflix Film)". In this album, this song's track order is #3. In terms of popularity, Breach The House is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Breach The House by Ruth Barrett, Steffen Thum having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pretty Extraordinary Things | Kevin Smuts | B Minor | 0 | 10A | 93 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| 25th July 1978 | Steven Price | C Major | 2 | 8B | 114 BPM | ||
| Fairy Circles | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | B♭ Major | 4 | 6B | 83 BPM | ||
| Mrs. True | Mark Isham | F♯ Major | 1 | 2B | 137 BPM | ||
| Like the Sea Is Breathing | Steven Price | D Minor | 1 | 7A | 76 BPM | ||
| Licisca's Lament | Ruth Barrett | D Major | 3 | 10B | 91 BPM | ||
| The Fugitive | Maurizio Malagnini | A Minor | 3 | 8A | 150 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| French Court | Ruth Barrett, Jon Wygens | C Major | 2 | 8B | 98 BPM | ||
| Two Riders | Jeff Danna | A Major | 1 | 11B | 53 BPM | ||
| At Least She Is Safe | Christian Lundberg | C Minor | 0 | 5A | 77 BPM | ||
| Goodbye To Digby | Christian Lundberg | D Minor | 2 | 7A | 179 BPM | ||
| The Parapets | Steven Price | F Minor | 1 | 4A | 116 BPM | ||
| Lady Denham and Pineapple Mischief | Ruth Barrett | F Minor | 2 | 4A | 93 BPM | ||
| Branch of Memory | Rafael dos Anjos Abranches, Atom Music Audio | E♭ Major | 4 | 5B | 110 BPM | ||
| The Name of the Rose | Volker Bertelmann | C Minor | 4 | 5A | 65 BPM | ||
| She Had Your Child | Thomas Wander, Harald Kloser | C Minor | 0 | 5A | 138 BPM | ||
| Condicionar Mal | Noches Eternas | D Minor | 2 | 7A | 89 BPM | ||
| Queen Joanna of Castile | Chris Egan, Samuel Sim | G Major | 2 | 9B | 69 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Miranda's Victim Main Titles | Holly Amber Church | G Major | 0 | 9B | 144 BPM | ||
| The King Is Dead | Martin Phipps | D Minor | 2 | 7A | 96 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Les ferrets | Guillaume Roussel | A Minor | 2 | 8A | 165 BPM |