"Arpeggios in Lockdown" by Tom Day had its release date on June 25, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 7 in For You by Tom Day. Arpeggios in Lockdown is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Arpeggios in Lockdown by Tom Day is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mysterium | Hammock | C Major | 1 | 8B | 77 BPM | ||
| Pale Lights (Dark Dark Horse Remix) | Dark Dark Horse, This Patch of Sky | G Minor | 4 | 6A | 116 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| XX Intro | Kate Simko, London Electronic Orchestra | A Minor | 4 | 8A | 101 BPM | ||
| Pariah | Tom Day | F Minor | 0 | 4A | 78 BPM | ||
| Piano Piece | Ghosts Of Paraguay | D♭ Minor | 5 | 12A | 120 BPM | ||
| Infinite Sustain | Amaranth Cove | F♯ Major | 2 | 2B | 124 BPM | ||
| Telesto | Berezy, PIANIKA | B Major | 4 | 1B | 116 BPM | ||
| Indigo Road | Joey Fehrenbach | A Minor | 6 | 8A | 100 BPM | ||
| Valediction | Synthetic Epiphany | C Minor | 4 | 5A | 130 BPM | ||
| Cerulean | Rohne | D Major | 7 | 10B | 107 BPM | ||
| This Too Shall Pass | We Are All Astronauts | A Minor | 4 | 8A | 68 BPM | ||
| Shorelines | Subsets | B Minor | 5 | 10A | 110 BPM | ||
| Consolation | Poolz | C Minor | 3 | 5A | 110 BPM | ||
| Defeat | Hiatus | D Major | 6 | 10B | 120 BPM | ||
| The Lovers, Pt. 2 | Evocativ | D Minor | 3 | 7A | 128 BPM | ||
| Otto (Steve Gibbs Remix) | Ed Carlsen, Steve Gibbs | G Minor | 5 | 6A | 115 BPM | ||
| Buckland | Tom Day, sɹoɹɹᴉɯ | A♭ Major | 2 | 4B | 174 BPM | ||
| An Altered State | burukusu | D♭ Major | 5 | 3B | 130 BPM | ||
| Waiting at the Airport | Rhian Sheehan | F Major | 2 | 7B | 67 BPM | ||
| Ouroboros | BPMoore | A Major | 1 | 11B | 123 BPM | ||
| Naked Thoughts | Liam Thomas | F♯ Minor | 4 | 11A | 133 BPM | ||
| What an Interesting Creature | evolv | G Minor | 4 | 6A | 170 BPM | ||
| Tangled Strings | Two Ways | F♯ Minor | 7 | 11A | 140 BPM | ||
| Illumination | Fejká | F Minor | 5 | 4A | 140 BPM |