Tanya Riches's 'God of Tomorrow' had a release date set for December 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tanya Riches's "Grace" album is number 9 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of God of Tomorrow is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of God of Tomorrow by Tanya Riches to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Isaiah 43 | RYM Worship | G Major | 5 | 9B | 160 BPM | ||
| Christ Only Always | C4SO MUSIC, Westheight Manor, Greg LaFollette | A Major | 5 | 11B | 147 BPM | ||
| Come Thou Fount of Every Blessing | Matt & Joanna Black | E Major | 3 | 12B | 100 BPM | ||
| I Saw What I Saw | Sara Groves | G Major | 2 | 9B | 132 BPM | ||
| God, I'm Not Okay But I'm Still Here | Amara Grace | B Major | 2 | 1B | 139 BPM | ||
| Jesus, I Come | Shelly Moore Band | B♭ Major | 4 | 6B | 144 BPM | ||
| Run to the Cross | Sarah Kroger | G Major | 6 | 9B | 83 BPM | ||
| The Lord Our God Is One | Laura Woodley Osman | A Major | 1 | 11B | 132 BPM | ||
| King of Love | Tanya Riches | B♭ Major | 4 | 6B | 172 BPM | ||
| Press Forward - Acoustic | Kylee Shaffer | B♭ Major | 2 | 6B | 187 BPM | ||
| You Gave Your Life | Laura Story | D Major | 4 | 10B | 140 BPM | ||
| O My Soul | Audrey Assad | F Major | 1 | 7B | 182 BPM | ||
| Close of Autumn | Caedmon's Call, Jonatha Brooke | C Major | 5 | 8B | 144 BPM | ||
| Still | Hillary Scott & The Scott Family | E Major | 5 | 12B | 78 BPM | ||
| Softly and Tenderly | Audrey Assad | E Major | 1 | 12B | 178 BPM | ||
| For You Only | Trading Yesterday | D Minor | 2 | 7A | 100 BPM | ||
| When I Lock Eyes With You | Caleb and Kelsey | B Minor | 6 | 10A | 95 BPM | ||
| I'll See You | Twarres | F Major | 3 | 7B | 136 BPM | ||
| May the Mind of Christ My Savior | Norton Hall Band | C Major | 3 | 8B | 93 BPM | ||
| One Step at a Time | Sovereign Grace Music, Bob Kauflin | D Major | 3 | 10B | 153 BPM | ||
| You Are The Potter | Living Word Cebu Main, Ferdinand Aragon | G Major | 3 | 9B | 97 BPM | ||
| The Prodigal | Sovereign Grace Music | C Major | 5 | 8B | 156 BPM | ||
| Lord You've Been Good To Me | Graham Kendrick, Martin Smith | E Major | 2 | 12B | 131 BPM | ||
| Everlasting Arms | Margot Steiner | G Major | 3 | 9B | 136 BPM | ||
| Grace | Laura Story | E♭ Major | 5 | 5B | 93 BPM |