- BPM
- 140
- Key
- E♭ Major
- Camelot
- 5B
Suite For Cello Solo No.1 In G, BWV 1007 - Transcribed For Solo Guitar By Göran Söllscher: 1. Prélude (Transcr. for Solo Guitar by Göran Söllscher) by Johann Sebastian Bach, Göran Söllscher Song Details
Johann Sebastian Bach, Göran Söllscher's 'Suite For Cello Solo No.1 In G, BWV 1007 - Transcribed For Solo Guitar By Göran Söllscher: 1. Prélude (Transcr. for Solo Guitar by Göran Söllscher)' had a release date set for January 1, 1992. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite For Cello Solo No.1 In G, BWV 1007 - Transcribed For Solo Guitar By Göran Söllscher: 1. Prélude (Transcr. for Solo Guitar by Göran Söllscher)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 1 out of 18. Based on our statistics, Suite For Cello Solo No.1 In G, BWV 1007 - Transcribed For Solo Guitar By Göran Söllscher: 1. Prélude (Transcr. for Solo Guitar by Göran Söllscher)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Suite For Cello Solo No.1 In G, BWV 1007 - Transcribed For Solo Guitar By Göran Söllscher: 1. Prélude (Transcr. for Solo Guitar by Göran Söllscher) by Johann Sebastian Bach, Göran Söllscher to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 33%
- Loudness
- -24.341 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 20%
- Instrumentalness
- 89%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 12 Etudes, Op.6: No. 11 in E minor | Fernando Sor, Göran Söllscher | G Major | 0 | 9B | 116 BPM | |
 | La canço del lladre - Arr. Miguel Llobet | Catalonian Traditional Folk Song,, Göran Söllscher | D Major | 0 | 10B | 99 BPM | |
 | In Silver Light | Gerard Cousins | A♭ Minor | 1 | 1A | 91 BPM | |
 | Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | |
 | ソナタ K.322 | Domenico Scarlatti, Park Kyuhee | G Minor | 2 | 6A | 132 BPM | |
 | Viola da gamba Sonata in D Major, Wq. 137 (Arr. for Cello & Piano): I. Adagio, ma non tanto | Carl Philipp Emanuel Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 0 | 10B | 100 BPM | |
 | Lute Suite in C Minor, BWV 997: I. Preludio | Johann Sebastian Bach, Göran Söllscher | G Minor | 2 | 6A | 149 BPM | |
 | Preludio Fuga e Vivace: I. Preludio | Sérgio Assad, Plínio Fernandes | D Major | 2 | 10B | 100 BPM | |
 | Catalan Folk Songs: El testament d'Amelia | Miguel Llobet Solés, Miloš Karadaglić | D Minor | 0 | 7A | 94 BPM | |
 | Odeon | Ernesto Nazareth, Manuel Barrueco | E Minor | 2 | 9A | 88 BPM | |
 | Recuerdos de la Alhambra : Recuerdos de la Alhambra | Norbert Kraft | A Major | 1 | 11B | 75 BPM | |
 | Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | |
 | Serie Americana: I. Preludio | Hector Ayala, Roberto Aussel | D Minor | 2 | 7A | 106 BPM | |
 | Satie: 3 Gymnopédies: No. 1, Lent et douloureux (Arr. Laniau for Guitar) | Erik Satie, Pierre Laniau | A♭ Minor | 1 | 1A | 91 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | |
![Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] by George Frideric Handel, Akademie für Alte Musik Berlin](https://i.scdn.co/image/ab67616d00001e0202c7ab39ccf7f834da1596a4) | Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | |
 | Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | |
 | I. Prélude (Arr. J. McFadden for Guitar) | Johann Sebastian Bach, Jeffrey McFadden | D Major | 3 | 10B | 158 BPM | |
 | Prelude from First Cello Suite - J.S. Bach | Robert Westaway | D Major | 3 | 10B | 112 BPM | |
 | Âmes d'antan | Sylvain Luc, Marylise Florid | A♭ Major | 2 | 4B | 163 BPM | |
 | Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | |
 | Studio No. 2 in G Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | G Major | 1 | 9B | 137 BPM | |
 | Romance del los Pinos | Federico Moreno Torroba, Hannah Murphy | E Major | 1 | 12B | 167 BPM | |
 | La filla del marxant - Arr. Miguel Llobet | Catalonian Traditional Folk Song,, Göran Söllscher | E Major | 0 | 12B | 113 BPM | |
 | Oceans of the Moon | Per-Olov Kindgren | G Major | 1 | 9B | 91 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records