Pt Abhay Nayan Mallik's ' "Kesaria Angia Rang Dalo" was released on its scheduled release date, December 31, 1950. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 25 in Classical Greats by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kesaria Angia Rang Dalo's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kesaria Angia Rang Dalo by Pt Abhay Nayan Mallik is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abke Tajdide Wafaa Ka Nahin Inka Jana | Ghulam Ali | F♯ Minor | 4 | 11A | 98 BPM | ||
| Mithila Ka Kan Kan Khila | Maithili Thakur | D Major | 6 | 10B | 125 BPM | ||
| Maar Dala | Ghulam Ali, Armaan Khan | A♭ Major | 8 | 4B | 130 BPM | ||
| Ashto hi ang maiyya ke | Maithili Thakur | D♭ Major | 6 | 3B | 148 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Teekhe Teer Gadha Aur Farsa | Ravindra Jain, Satish Dehra | A Major | 2 | 11B | 89 BPM | ||
| Apne Hi Rang Mein | Salman Ali, Ram Shankar | B♭ Major | 5 | 6B | 114 BPM | ||
| Jai Jai Bhairavi | Sharda Sinha | A Minor | 9 | 8A | 97 BPM | ||
| Deenan Dukh Haran Dev Santan Hitkari | Jagjit Singh | C Major | 3 | 8B | 102 BPM | ||
| Daaro Nai Daaro Rang | Lakhbir Singh Lakkha | G Major | 6 | 9B | 79 BPM | ||
| Ghazal - Ae Husn-E-Beparva Tujhe Shabnam Kahun Shola Kahun (with Sultan Khan) | Ghulam Ali, Sultan Khan | D♭ Major | 4 | 3B | 109 BPM | ||
| Shyam Vina Vraj Sunu lage - Live | NARAYANSWAMI | B Major | 9 | 1B | 94 BPM | ||
| Vraje Vasantam | Pandit Jasraj | D♭ Major | 7 | 3B | 99 BPM | ||
| Zaroori Toh Nahi (Live Version) | Manoj Mishra, Aman Pant, Akhil Tiwari | C Major | 7 | 8B | 100 BPM | ||
| Tere Bagair Sanwariya | Indresh Upadhyay | D Major | 2 | 10B | 79 BPM | ||
| Sakal Ban Phool Rahi Sarson | Bilqees Khanum, Ishrat Jehan | F Minor | 6 | 4A | 103 BPM | ||
| More Baanke Chhaliya | Arati Ankalikar Tikekar | B♭ Minor | 7 | 3A | 132 BPM | ||
| Shiv Shankar Rakhwala | Hari Om Sharan | F♯ Major | 5 | 2B | 94 BPM | ||
| Sunderkand, Pt. 1 | Mukesh, Vani Jairam, Krishna Kalle, Pushpa Pagdhare, Pradeep Chatterjee, Surinder Kaur, Ambar Kumar | D Major | 3 | 10B | 90 BPM | ||
| Hanuman Chalisa | Ishardan Gadhavi | B Major | 7 | 1B | 151 BPM | ||
| Dua Karo Ke Yeh Pauda | Chandan Dass | D♭ Major | 5 | 3B | 104 BPM | ||
| Ankhiyan Hari Darshan Ki Pyasi | Jagjit Singh | F Major | 5 | 7B | 149 BPM | ||
| Mai Patiya | Rahul Deshpande | B♭ Major | 7 | 6B | 130 BPM | ||
| Sawanki Ki Ritu Aayee Ri ( Kajri : Tilakkamod ) | Shobha Gurtu | F Minor | 7 | 4A | 202 BPM | ||
| Aarti Shri Ramayan Ji Ki | Anuradha Paudwal | F♯ Major | 7 | 2B | 82 BPM |