Claus Boesser-Ferrari, Fred Frith, Marc Ribot's 'Mutter Beimlein' had a release date set for January 29, 2010. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claus Boesser-Ferrari's "How We Became Americans (Feat. Fred Frith And Marc Ribot)" album is number 11 out of 19. The popularity of Mutter Beimlein is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mutter Beimlein by Claus Boesser-Ferrari, Fred Frith, Marc Ribot to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Boubacar | Bill Frisell | A Major | 3 | 11B | 165 BPM | ||
| Sweet Circle | Mark Isham, Art Lande | G Major | 0 | 9B | 81 BPM | ||
| Playa azul | goliva | D♭ Minor | 1 | 12A | 175 BPM | ||
| Ndoa | Nahsh kariuki Official | A♭ Minor | 2 | 1A | 127 BPM | ||
| Simply Love | Italian Mandolin Torna A Surriento, Oriental Lebanese Band, Orinoco Haven | C Major | 0 | 8B | 127 BPM | ||
| The Woman | Arild Andersen, Naná Vasconcelos | A Minor | 0 | 8A | 131 BPM | ||
| Par and Sycamore | Gabriel Fiddler | C Major | 1 | 8B | 106 BPM | ||
| At seventeen | Kristin Skaare, Andreas Amundsen | C Major | 0 | 8B | 127 BPM | ||
| Nine and Three Quarters Confused | Soundscapes of Serenity | C Major | 2 | 8B | 122 BPM | ||
| Laxness | Jakob Bro | B Minor | 1 | 10A | 115 BPM | ||
| Watchtower Reprise | Claus Boesser-Ferrari | B♭ Minor | 4 | 3A | 114 BPM | ||
| PM Dream | Jakob Bro, Thomas Morgan, Joey Baron | D Major | 1 | 10B | 102 BPM | ||
| Full Moon Europa | Jakob Bro, Thomas Morgan, Joey Baron | E Major | 2 | 12B | 115 BPM | ||
| Seven Swans | Al Petteway | E Major | 2 | 12B | 160 BPM | ||
| Things That Might Have Been | Tin Hat Trio | F Major | 2 | 7B | 113 BPM | ||
| The Sea Was Alone | Jutta Glaser, Claus Boesser-Ferrari | C Major | 2 | 8B | 124 BPM | ||
| Where am I now? | VMV Trio, Vincenzo Di Gioia, Marco Cutillo, Vito Tenzone | C Major | 0 | 8B | 127 BPM | ||
| Agadiramadan (To Philippe Zani) | Pierre Bensusan | B Minor | 1 | 10A | 87 BPM | ||
| En passant | Dominic Miller | G Major | 1 | 9B | 93 BPM | ||
| Snap A Little Owl | John Renbourn, Stefan Grossman | F♯ Minor | 3 | 11A | 71 BPM | ||
| Gesture no. 1 (C.S.) | Woody Harris | G Major | 0 | 9B | 132 BPM | ||
| New York City High Key | Sprengler, Claus Boesser-Ferrari | A Minor | 3 | 8A | 86 BPM | ||
| Slaatteeng | Carl Petter Opsahl, Johannes Opsahl | G Minor | 0 | 6A | 71 BPM | ||
| Balade | Gary O'Slide | E Major | 1 | 12B | 109 BPM | ||
| Autumn Leaves Waltz | Italian Mandolin Torna A Surriento, Oriental Lebanese Band, Orinoco Haven | C Major | 0 | 8B | 127 BPM |