Unfinished Business
Ron McClure, Steve LaSpina, Jay Anderson, George Colligan, Darren Beckett
Jam Session Vol. 16
8:01 2005
BPM
97
Key
G Major
Camelot
9B

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Unfinished Business by Ron McClure, Steve LaSpina, Jay Anderson, George Colligan, Darren Beckett Song Details

Ron McClure, Steve LaSpina, Jay Anderson, George Colligan, Darren Beckett's 'Unfinished Business' had a release date set for 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ron McClure, Steve LaSpina, Jay Anderson's "Jam Session Vol. 16" album is number 7 out of 8. On top of that, Denmark appears to be the country where this track was created. In terms of popularity, Unfinished Business is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Unfinished Business by Ron McClure, Steve LaSpina, Jay Anderson, George Colligan, Darren Beckett to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-19.393 dB
Acousticness
86%
Danceability
51%
Energy
34%
Instrumentalness
91%
Liveness
6%
Loudness
68%
Speechiness
5%
Valence
39%

Recommendations

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ISRC
DKARS0501807
Label
L-M Records/RCA Records