"Igor and Lorelei" by Craig Armstrong had its release date on November 17, 2015. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victor Frankenstein (Original Motion Picture Score) by Craig Armstrong. The song's track number on the album is #20 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. Igor and Lorelei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Igor and Lorelei by Craig Armstrong has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Igor and Lorelei being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Deer | William Ross | B Minor | 2 | 10A | 92 BPM | ||
| Saucy Minx / Aurelia Arrives | Craig Armstrong | C Major | 0 | 8B | 77 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Race To Mark's Flat | Craig Armstrong | F Major | 2 | 7B | 114 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| Into The Sea | Stuart Earl | F Minor | 0 | 4A | 96 BPM | ||
| Lost In Darkness And Distance | Amelia Warner | F Major | 3 | 7B | 106 BPM | ||
| Glasgow Love Theme - From "Love Actually" | Craig Armstrong, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | A Major | 1 | 11B | 136 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Utopia | George Fenton | C Major | 0 | 8B | 86 BPM | ||
| Love of My Life | Jordan Seigel | E Major | 1 | 12B | 141 BPM | ||
| This Is Our Planet - From "Our Planet" | Steven Price | B♭ Major | 3 | 6B | 97 BPM | ||
| Love Scene - From "Four Weddings and a Funeral" | Richard Rodney Bennett, The Royal Philharmonic Orchestra/Nic Raine | A♭ Major | 1 | 4B | 56 BPM | ||
| Promise | Massimo Albanese | A Minor | 1 | 8A | 63 BPM | ||
| Courage and Kindness | Patrick Doyle | G Major | 0 | 9B | 80 BPM | ||
| Look Closely | Hans Zimmer, Rupert Gregson-Williams | G Minor | 1 | 6A | 92 BPM | ||
| Ballantyne - Movement 5 Your Shadow | Calum Martin, Craig Armstrong, Cecilia Weston, Scottish Ensemble, Daniel Pioro | E♭ Major | 1 | 5B | 75 BPM | ||
| The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| We Had Today | Rachel Portman | D Major | 1 | 10B | 81 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| Farewell | Roque Baños | F Major | 0 | 7B | 79 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM |