T. S. Aswini Sastry, T. S. Rohini Sastry's ' "Manthravarna Pathasthuthi" was released on its scheduled release date, December 1, 2001. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in Dakshinamurthy Stothram by T. S. Aswini Sastry, T. S. Rohini Sastry. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Manthravarna Pathasthuthi is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Manthravarna Pathasthuthi by T. S. Aswini Sastry, T. S. Rohini Sastry is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taal Mrudung Garjati-Abhang | Samir Rama Kadam | D Major | 9 | 10B | 111 BPM | ||
| Vishnu Sooktam | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | D♭ Major | 7 | 3B | 151 BPM | ||
| Atulit Bal Dhama | Niranjan Sarda | D Major | 2 | 10B | 67 BPM | ||
| Sri Matangi Stotra | Prof. Thiagarajan, Scholars | F Major | 4 | 7B | 121 BPM | ||
| devī sūktam | Shantala Sriramaiah | E Major | 3 | 12B | 141 BPM | ||
| Sangh Vandana | Harshala Kadam, Dipali Shirke | G Major | 3 | 9B | 87 BPM | ||
| Karinyamate Sutt | Harshala Kadam, Dipali Shirke | G Major | 4 | 9B | 125 BPM | ||
| Durga Suktham | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 1 | 10B | 173 BPM | ||
| Shiva Sankalpa | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Aata Swami Sukhe Nidra - Shejarati | Ajit Kadkade | A♭ Minor | 8 | 1A | 93 BPM | ||
| Suryopanishad Atha Surya Atahrva | Sri Sathya Sai Official | D Major | 2 | 10B | 152 BPM | ||
| Durga Sukhtam | Sri Hari Atchuta Rama Sastry | C Major | 2 | 8B | 134 BPM | ||
| Trisuparna Manthram | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | G Major | 3 | 9B | 132 BPM | ||
| Sri Karthikeya Stotram With Thanpura | Bangalore Sisters | E Major | 6 | 12B | 152 BPM | ||
| śri sūktam | Shantala Sriramaiah | E Major | 3 | 12B | 164 BPM | ||
| Bhagavad Gita Adhyay, Pt. 14 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Raahu Kavacha Sthosthram | Banglore Sisters | B Minor | 4 | 10A | 78 BPM | ||
| Shri Krishna Stuti | Ashit Desai, Bhakti Choir | B♭ Major | 2 | 6B | 130 BPM | ||
| Sacha Santna Ang | Sadhu Yogicharandas | D Major | 4 | 10B | 116 BPM | ||
| Venkateshwara Stotram | Puttur Narasimha Nayak | D♭ Major | 7 | 3B | 151 BPM | ||
| Aikamathya Sooktham | Yashasvi Ramakrishna Sharma, N. V. Krishnan, P. Krishnan | G Major | 3 | 9B | 75 BPM | ||
| Saraswati Dwadasha Stotram | Trupti Dave, Mayuri Baror, Mayur Vaghela | B Major | 4 | 1B | 102 BPM | ||
| Sukra Astothra Sathanama Stothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 3 | 9B | 81 BPM | ||
| Shri Navgrah Stotra | Sandeep Mandke Guruji | F♯ Major | 1 | 2B | 101 BPM | ||
| Namo Datta | Sri Ganapathy Sachchidananda Swamiji | E Minor | 3 | 9A | 91 BPM |