Rudolph Taylor's ' "Doorsteps to Sorrow" was released on its scheduled release date, June 8, 2012. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Doorsteps to Sorrow's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Simply Grand Music Presents: Rudolph Taylor". In this album, this song's track order is #6. The popularity of Doorsteps to Sorrow is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Doorsteps to Sorrow by Rudolph Taylor having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long Burn the Fire | Mer-Da | B Major | 5 | 1B | 101 BPM | ||
| Your Wish is My Command | The Inspirations | A Minor | 6 | 8A | 167 BPM | ||
| Can I Get A Witness - Single Version | Barbara Randolph | D♭ Major | 8 | 3B | 102 BPM | ||
| MERCY, MERCY, MERCY | Marlena Shaw | B♭ Major | 5 | 6B | 170 BPM | ||
| Listen Black Brother | Marion Black | F Minor | 4 | 4A | 48 BPM | ||
| You Better Stop | Sonny Rhodes | A♭ Major | 6 | 4B | 132 BPM | ||
| I Know What to Do to Satisfy You | Roy Roberts | G Minor | 7 | 6A | 134 BPM | ||
| As Long As I Don't Have To See You | Little Johnny Taylor | D♭ Major | 6 | 3B | 101 BPM | ||
| Hold On I'm Coming | Chuck Jackson, Maxine Brown | G Major | 7 | 9B | 96 BPM | ||
| Baby, Do That Thing | Honey and the Bees | D♭ Major | 7 | 3B | 86 BPM | ||
| What Are You Trying To Do | Irma Thomas | A Minor | 5 | 8A | 69 BPM | ||
| Sticky Sue | Mickey Murray | D Major | 6 | 10B | 111 BPM | ||
| Blue Diamonds | Double Soul | C Major | 4 | 8B | 98 BPM | ||
| Make Up Your Mind | Anna King | C Major | 1 | 8B | 184 BPM | ||
| It's A Bad Situation In A Beautiful Place | Two Tons Of Love | A Minor | 8 | 8A | 124 BPM | ||
| You're Using Me | Rudolph Taylor | E♭ Major | 4 | 5B | 112 BPM | ||
| Let's Live For Ourselves | George Jackson | E♭ Major | 6 | 5B | 111 BPM | ||
| Mr. Big Shot | Gene Chandler | E Major | 7 | 12B | 140 BPM | ||
| New Girl | The Accents | C Major | 7 | 8B | 180 BPM | ||
| Steal Away | Jimmy Hughes | B Major | 6 | 1B | 187 BPM | ||
| You Had Me Fooled | Danny Woods | G Major | 6 | 9B | 132 BPM | ||
| Baby, I Can't Stand It - Remastered | Bobby Womack | A♭ Major | 3 | 4B | 96 BPM | ||
| While You Were Gone | The Combinations | E♭ Major | 6 | 5B | 62 BPM | ||
| Whole Lotta Woman - Remastered | The Contours | A♭ Major | 9 | 4B | 138 BPM | ||
| O' Baby (I Believe I'm Losing You) | Billy Hawks | C Major | 7 | 8B | 83 BPM |