"Martin Martin Martin - from Martin" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 17 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Martin Martin Martin - from Martin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Martin Martin Martin - from Martin by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Corso And The Girl | Wojciech Kilar | C Major | 2 | 8B | 130 BPM | ||
| Afterlife | Wendy Carlos, Johnny Reinhard, conductor | C Major | 2 | 8B | 83 BPM | ||
| The Curse of Edendale | Disasterpeace | B Major | 1 | 1B | 92 BPM | ||
| Kanon - 2001 Remastered Version | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Polnisches Radio-Sinfonieorchester Krakau | A♭ Major | 1 | 4B | 129 BPM | ||
| Think About Us | Keramet Boyukcol, Kukando | B♭ Major | 5 | 6B | 75 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Under | Bounce Melody | E♭ Major | 2 | 5B | 78 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| Plumbing Problem | David Shire | F Major | 4 | 7B | 106 BPM | ||
| Oltre la soglia | Fabio Frizzi | D Major | 4 | 10B | 96 BPM | ||
| Steve | Colin Stetson | G Major | 2 | 9B | 63 BPM | ||
| 30 | Donald Rubinstein | F Major | 0 | 7B | 77 BPM | ||
| Die Fulci Nummer | Bohren & Der Club Of Gore | C Minor | 0 | 5A | 144 BPM | ||
| Boo! | Wojciech Kilar | E Major | 2 | 12B | 76 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| Prison in Your Mind | Jim Williams | A♭ Major | 0 | 4B | 138 BPM | ||
| The Alien Planet | Jerry Goldsmith | C Major | 1 | 8B | 157 BPM | ||
| Move B | Donald Rubinstein | C Major | 0 | 8B | 67 BPM | ||
| 60 Minutes | David Holmes, Brian Irvine | A Minor | 0 | 8A | 69 BPM | ||
| The Confessional | David Shire | G Major | 2 | 9B | 133 BPM | ||
| Give Me Your Hand | Harold Budd | D♭ Major | 2 | 3B | 66 BPM | ||
| Acceptance | Donald Rubinstein | D Major | 3 | 10B | 111 BPM | ||
| Alma | Simon Boswell | F Minor | 5 | 4A | 170 BPM | ||
| The Shining | The Newton Brothers | G Major | 2 | 9B | 89 BPM | ||
| Here Comes The Cure | Bobby Krlic | A Major | 1 | 11B | 65 BPM |