Martin Martin Martin - from Martin
Donald Rubinstein
Martin/ Pollock - The Unused Score
0:48 November 7, 2007
BPM
90
Key
B♭ Minor
Camelot
3A

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Martin Martin Martin - from Martin by Donald Rubinstein Song Details

"Martin Martin Martin - from Martin" by Donald Rubinstein had its release date on November 7, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Donald Rubinstein's "Martin/ Pollock - The Unused Score" album is number 17 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Martin Martin Martin - from Martin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Martin Martin Martin - from Martin by Donald Rubinstein to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-19.451 dB
Acousticness
99%
Danceability
42%
Energy
1%
Instrumentalness
91%
Liveness
6%
Loudness
68%
Speechiness
5%
Valence
16%

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ISRC
USFBX0910053
Label
L-M Records/RCA Records