Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra Song Details

"Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato" by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra had its release date on March 29, 2011. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Swan Lake [Matthew Bourne version]". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Swan Lake, Op. 20, Act II: No. 10, Scene. Moderato by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -13.522 dB
Acousticness: 92%
Danceability: 25%
Energy: 31%
Instrumentalness: 86%
Liveness: 35%
Loudness: 77%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio	Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	2	6A	80 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Fee des Lilas (Variation VI)	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	C Major	3	8B	116 BPM
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto	Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra	G Major	2	9B	140 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"	Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	113 BPM
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex	Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia	G Major	1	9B	122 BPM
Peter and the Wolf, Op. 67: The Bird	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	C Major	0	8B	99 BPM
Die Flamme von Paris (Flames of Paris), Act IV: Coda [arr. March]	Boris Vladimirovich Asafiev, Sofia National Opera Orchestra, Boris Spassov	C Major	4	8B	135 BPM
Coriolan, Op. 62: Coriolan Overture, Op. 62	Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan	F Minor	2	4A	76 BPM
Requiem: IIa. Dies irae	Giuseppe Verdi, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev	C Minor	4	5A	88 BPM
Le pavillon d'Armide, Op. 29 (Excerpts): No. 6a, Variation - No. 6b, Variation pour Vicomte - No. 6c, Variation pour Armide - No. 6d, Code finale - No. 7, Scène mimique	Nikolai Tcherepnin, Moscow Philharmonic Orchestra, Henry Shek	E Major	0	12B	78 BPM
Waltz in A flat major, Op.39 No. 15	Johannes Brahms, Radio Symphony Orchestra	A Major	1	11B	89 BPM
Carmen Ballet Suite (after Bizet): IX. Torero	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	F Major	5	7B	115 BPM
Gold Und Silber (Gold And Silver), Op. 79	Slovak Radio Symphony Orchestra, Franz Lehár	C Major	1	8B	81 BPM
An der schönen blauen Donau, Waltz, Op. 314	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	95 BPM
Serenade	Jairos	C Major	2	8B	118 BPM
Minkus: Don Quixote, Act 3: II. Adage	Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra	E♭ Major	1	5B	57 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan	E Minor	1	9A	78 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death	Edvard Grieg, Wiener Philharmoniker, Zubin Mehta	G Major	0	9B	99 BPM
The Sleeping Beauty, Op. 66 : Valse	Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice	B♭ Major	2	6B	100 BPM
Masquerade (Suite): 1. Waltz - Excerpt	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	67 BPM
Waltz No. 19 in A minor, Op. posth.	Frédéric Chopin, Peter Jablonski	A Minor	0	8A	69 BPM