On July 10, 2020, the song "Club Mediterranèe" was released by Francesco Messina. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francesco Messina's "Medio Occidente" album is number 7 out of 8. In terms of popularity, Club Mediterranèe is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Club Mediterranèe by Francesco Messina to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Birds & Flutes | MLO | E Major | 8 | 12B | 93 BPM | ||
| Quiet Dawn | Alex Kassian | D Minor | 1 | 7A | 79 BPM | ||
| Two Trains Came Through the Station at Once and It Felt Like a Hurricane | Dylan Henner | C Minor | 2 | 5A | 72 BPM | ||
| Botanique | J Foerster, N KRAMER | B Major | 1 | 1B | 114 BPM | ||
| Under a Glass Bell | Patricia Wolf | G Minor | 1 | 6A | 81 BPM | ||
| Before Lotus | Wilson Tanner | A Minor | 2 | 8A | 204 BPM | ||
| Evocations 2 | 尾島由郎 | D Major | 1 | 10B | 133 BPM | ||
| California Sutra #2 | Nadi Qamar | B♭ Minor | 0 | 3A | 131 BPM | ||
| Touch III | Josiah Steinbrick | C Major | 0 | 8B | 64 BPM | ||
| Sunshine in 1929 | Domenique Dumont | G Major | 2 | 9B | 97 BPM | ||
| Pollen | H.Takahashi | E♭ Minor | 0 | 2A | 160 BPM | ||
| A Shallow Space | Jonny Nash | F Major | 1 | 7B | 70 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM | ||
| TREMBLING#2/揺動・#2(トレンブリング#2) | Haruomi Hosono | G Major | 1 | 9B | 178 BPM | ||
| Close to Life | Midori Hirano | E Minor | 1 | 9A | 71 BPM | ||
| Greetings from Under the Ocean | Martin Glass | B♭ Major | 2 | 6B | 96 BPM | ||
| Connotes Beauty | Sofie Birch, Johan Carøe | C Major | 1 | 8B | 79 BPM | ||
| Intimate Immensity (Remix) | Tomaga, Floating Points, Marta Salogni | C Major | 2 | 8B | 78 BPM | ||
| Quasarsphere | Manuel Göttsching | C Minor | 0 | 5A | 82 BPM | ||
| Billow | Ulla Straus | D♭ Minor | 2 | 12A | 126 BPM | ||
| Molina | Carmen Villain | D♭ Major | 1 | 3B | 79 BPM | ||
| Europe | Scott Gilmore | E Minor | 4 | 9A | 172 BPM | ||
| Afternoon Carafe | Albrecht La'Brooy | G Major | 1 | 9B | 115 BPM | ||
| Hair Air | INOYAMALAND | C Major | 2 | 8B | 125 BPM | ||
| Melting Ice | Slow Attack Ensemble | B Minor | 1 | 10A | 69 BPM |