"String Quartet No. 6 in D Major, Op.50 "The Frog": III. Menuetto. Allegretto" by Joseph Haydn, Quatuor Hanson had its release date on October 11, 2019. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Quatuor Hanson's "Haydn: String Quartets "All shall not die"" album is number 3 out of 24. On top of that, France appears to be the country where this track was created. String Quartet No. 6 in D Major, Op.50 "The Frog": III. Menuetto. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 6 in D Major, Op.50 "The Frog": III. Menuetto. Allegretto by Joseph Haydn, Quatuor Hanson to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angiolina, ossia Il matrimonio per sussuro Overture | Antonio Salieri, Matthias Bamert, London Mozart Players | D Major | 2 | 10B | 104 BPM | ||
| I. Adagio ma non troppo | Fanny Mendelssohn, Minguet Quartett | A♭ Major | 0 | 4B | 81 BPM | ||
| Oboe Concertino in G Major, Bryan G5: II. Minuetto. Moderato | Johann Baptist Vanhal, Vojtěch Podroužek, Jan Karas, Magdaléna Kutišová, Libor Ježek, Pavla Honsová, David Matoušek, Petr Kupčák, Michael Halasz | G Major | 1 | 9B | 98 BPM | ||
| Grand Concerto for Bassoon and Orchestra in F: 3. Rondo (Vivace) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 120 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto | Franz Schubert, Maxim Emelyanychev, Scottish Chamber Orchestra | G Minor | 1 | 6A | 128 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: Va. Rezitativ: Erhört ist unser Fleh'n (Hanne) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Keyboard Concerto No. 5 in F Minor, BWV 1056: I. - | Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | B♭ Minor | 3 | 3A | 104 BPM | ||
| Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen | E Minor | 2 | 9A | 140 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville): Sinfonia | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | G Major | 1 | 9B | 97 BPM | ||
| Overture in D Major, Op. 8, No. 2: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 102 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: II. Menuett | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | A♭ Major | 0 | 4B | 81 BPM | ||
| Symphony in B-Flat Major: III. Presto | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | F Major | 3 | 7B | 126 BPM | ||
| Dittersdorf: Symphony concertante for Viola and Double Bass in D Major: III. Menuetto e Trio | Carl Ditters von Dittersdorf, Sir Neville Marriner, Rodney Slatford, Stephen Shingles, Academy of St. Martin in the Fields | D Major | 1 | 10B | 108 BPM | ||
| Overture in G Major, Op. 8, No. 5: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| Orfeo ed Euridice: Act III, Scene 3, Ballo. Grazioso | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 0 | 12B | 69 BPM | ||
| Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | C Major | 1 | 8B | 177 BPM | ||
| Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Peter Katin | D♭ Major | 0 | 3B | 65 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Symphony No. 14 in D Major: III. Adagio | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 76 BPM | ||
| Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
| Concerto grosso in B Minor, Op. 6 No. 12, HWV 330: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | B Minor | 2 | 10A | 120 BPM | ||
| Cello Concerto No. 1 in G Major: I. Allegro con spirito | Carl Stamitz, Kurpfalz Chamber Orchestra Ludwigshafen-Mannheim, Klaus-Peter Hahn | G Major | 1 | 9B | 136 BPM | ||
| Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
| Holberg Suite, Op. 40: V. Rigaudon (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 144 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM |