Radamés Gnattali, Andrea Monarda's 'Petite Suite: II. Toada' had a release date set for April 29, 2022. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Petite Suite: II. Toada's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andrea Monarda's "Gnattali, Mignone: Complete Studies for Guitar" album is number 15 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Petite Suite: II. Toada is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Petite Suite: II. Toada by Radamés Gnattali, Andrea Monarda to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Índia | Sebastiao Tapajós | E Major | 4 | 12B | 101 BPM | ||
| Hommage à Piazzolla | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Diary of Love | Gian Marco Ciampa | G Major | 0 | 9B | 79 BPM | ||
| Porteña, y nada más | Daniela Calderón, Carlos García | D Minor | 3 | 7A | 108 BPM | ||
| 7 anéis | Carlos Moscardini | D Major | 1 | 10B | 84 BPM | ||
| Sue Ann | João Moraes, Jessé Sadoc | G Major | 2 | 9B | 194 BPM | ||
| Histoire du Tango (pour flûte et guitare): N°.1 Bordel - 1900 | Göran Söllscher, Patrick Gallois, Astor Piazzolla | A Major | 1 | 11B | 173 BPM | ||
| Meu Poeta | Hércules Gomes | G Minor | 3 | 6A | 91 BPM | ||
| Guitar Suite No. 3: I. Prelude | Peter Scott Lewis | A Minor | 1 | 8A | 81 BPM | ||
| Outra Coisa | Anat Cohen, Marcello Gonçalves | B♭ Minor | 1 | 3A | 170 BPM | ||
| Waltz No. 3, Op. 8 | Agustín Barrios Mangoré, Thibault Cauvin | D Major | 2 | 10B | 73 BPM | ||
| Suíte Retratos: II. Ernesto Nazareth - Valsa | Radamés Gnattali, Trinca Brasil, Toninho Carrasqueira, Edmilson Capelupi, Guilherme Sparrapan | C Major | 3 | 8B | 98 BPM | ||
| Suite Popular Brasileira, Schottish-Choro | Sergio & Odair Assad | E Major | 3 | 12B | 68 BPM | ||
| Dança das Cordas | Alessandro Penezzi | D Major | 4 | 10B | 89 BPM | ||
| Cheio de Dedos | Guinga | G Major | 3 | 9B | 105 BPM | ||
| Samambaia | Cesar Camargo Mariano, Helio Delmiro | C Major | 3 | 8B | 147 BPM | ||
| Choro e Poesia | Toninho Carrasqueira | A Minor | 2 | 8A | 107 BPM | ||
| Fantasia X | Luys Milán, Giuseppe Chiaramonte | E Minor | 2 | 9A | 128 BPM | ||
| Di Menor | Guinga | G Minor | 4 | 6A | 115 BPM | ||
| Brasiliana Nº 8: Choro | Radamés Gnatalli, Radamés Gnattali, Aida E Sandoval | C Major | 2 | 8B | 64 BPM | ||
| Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
| La Feria de Abril | Antonio Martinez Cortés | A Major | 3 | 11B | 88 BPM | ||
| Homenaje a Toulouse-Lautrec | Eduardo Sainz De La Maza, Sven Lundestad | B Minor | 1 | 10A | 82 BPM | ||
| De Frente pro Crime | Romero Lubambo, Rildo Hora | C Major | 5 | 8B | 128 BPM | ||
| Flor da Noite | Luis Leite, Giuliano Rosas | G Major | 1 | 9B | 111 BPM |