Corners's ' "Love Letters" was released on its scheduled release date, October 7, 2014. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Corners's "Maxed out on Distractions" album is number 6 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of Love Letters is currently average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Love Letters by Corners to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Myself to Myself | Romeo Void | G Major | 6 | 9B | 169 BPM | ||
| Babes of the 80s | Lebanon Hanover | D Minor | 9 | 7A | 121 BPM | ||
| She's Good to Go | Billy Changer | D Major | 9 | 10B | 158 BPM | ||
| Band of Brothers | Billy Changer | G Major | 8 | 9B | 160 BPM | ||
| Trouble | Soft Kill | C Major | 7 | 8B | 123 BPM | ||
| Casket | Geneva Jacuzzi | C Major | 6 | 8B | 130 BPM | ||
| Let it Roll, Let it Rise | Singapore Sling | A Major | 10 | 11B | 153 BPM | ||
| 48 Hours | Corners | B Major | 8 | 1B | 125 BPM | ||
| Weekend | BRONCHO | F♯ Major | 8 | 2B | 130 BPM | ||
| Can You Hear Me? | Ssleeping Desiress | B Minor | 8 | 10A | 130 BPM | ||
| Shoemaker Levy 9 | Hierophants | E♭ Major | 5 | 5B | 118 BPM | ||
| Collapse In Slow Motion | Velvet Condom | C Minor | 7 | 5A | 110 BPM | ||
| Messengers of Love | Carmody | C Major | 10 | 8B | 91 BPM | ||
| Never Waved | Wisteria | A Major | 8 | 11B | 145 BPM | ||
| One For Will | Sports Coach | C Major | 5 | 8B | 124 BPM | ||
| Same Old Madness | Ministry | B Minor | 9 | 10A | 97 BPM | ||
| In the Mood for a Tattoo | Molly Nilsson | C Major | 6 | 8B | 126 BPM | ||
| Last Stop | Rendez Vous | G Major | 6 | 9B | 91 BPM | ||
| Never Alone | Kontravoid | B Minor | 7 | 10A | 170 BPM | ||
| Club De Vampiros | French Police | E Major | 4 | 12B | 141 BPM | ||
| Windscreen | Martial Canterel | A♭ Minor | 7 | 1A | 185 BPM | ||
| The Knife | Deeper | B Minor | 9 | 10A | 137 BPM | ||
| Be Alone | Soft Kill | G Major | 8 | 9B | 125 BPM | ||
| Wait | Figure Study | C Major | 6 | 8B | 129 BPM | ||
| The Foyer | Drab Majesty | B Minor | 9 | 10A | 146 BPM |