Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto) by Edward Elgar, London Symphony Orchestra, Eugen Jochum Song Details

"Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto)" by Edward Elgar, London Symphony Orchestra, Eugen Jochum had its release date on January 1, 1975. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in Elgar: Variations On An Original Theme, Op. 36 "Enigma" / Brahms: Variations On A Theme By Haydn, Op.56a by London Symphony Orchestra, Eugen Jochum. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 3. R.B.T. (Allegretto) by Edward Elgar, London Symphony Orchestra, Eugen Jochum is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -16.304 dB
Acousticness: 96%
Danceability: 17%
Energy: 23%
Instrumentalness: 89%
Liveness: 15%
Loudness: 73%
Speechiness: 4%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriccio brillant, Op. 22: Andante	Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra	B Major	0	1B	91 BPM
Prélude à l'après-midi d'un faune	Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud	A♭ Minor	0	1A	84 BPM
Largo from 'Xerxes'	George Frideric Handel, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Riga Radio Choir	G Major	1	9B	170 BPM
Má vlast, JB 1:112: II. Vltava "The Moldau"	Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan	E Minor	1	9A	78 BPM
II. Carol	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Minor	0	5A	128 BPM
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	C Minor	1	5A	80 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	85 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto	Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux	C Minor	1	5A	75 BPM
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	B♭ Major	1	6B	115 BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo	Henry Litolff, San Francisco Symphony, Michael Tilson Thomas	D Minor	3	7A	122 BPM
Serenade for Strings in E-Flat Major, Op. 6: II. Allegro non troppe e grazioso	Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung	F♯ Major	1	2B	109 BPM
Enigma Variations, Op. 36: Var. 8. Allegretto "W.N."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Major	0	9B	84 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	C Major	3	8B	135 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
The Tempest: Suite No. 2, Op. 109: VI. Miranda	Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari	C Major	1	8B	70 BPM
Sir John in Love: Fantasia on Greensleeves	Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien	C Minor	1	5A	105 BPM
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante	Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra	F Major	0	7B	183 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod	Edward Elgar, London Symphony Orchestra, Sir Adrian Boult	E♭ Major	1	5B	70 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM