Departures's ' "Midnight Lights" was released on its scheduled release date, August 2, 2011. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When Losing Everything Is Everything You Wanted by Departures. The song's track number on the album is #9 out of 10 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, Midnight Lights's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Midnight Lights by Departures has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Midnight Lights being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Counting Stars | Elephantis | B♭ Major | 9 | 6B | 90 BPM | ||
| Papercut | Ghost Chant | F♯ Major | 10 | 2B | 115 BPM | ||
| Parting Words | Saving Face | D♭ Minor | 10 | 12A | 188 BPM | ||
| Dear Lonely | Dependence | G Minor | 7 | 6A | 170 BPM | ||
| Comprehension | Saving Face | F♯ Minor | 10 | 11A | 130 BPM | ||
| Sleep Talk | Sleep Talk | A♭ Major | 10 | 4B | 120 BPM | ||
| Strangers | Ghost Chant | A Minor | 10 | 8A | 141 BPM | ||
| Lesser | Hotel Books | C Major | 10 | 8B | 130 BPM | ||
| Explanation: Content | It Prevails | D♭ Major | 9 | 3B | 75 BPM | ||
| Mourning | Casey | E Minor | 9 | 9A | 164 BPM | ||
| Stalagmites | State Faults | B♭ Minor | 10 | 3A | 159 BPM | ||
| Your Heart | The Comfort | D♭ Major | 10 | 3B | 128 BPM | ||
| Her/Being | The Danger Of Falling | F♯ Minor | 7 | 11A | 120 BPM | ||
| Good Enough? | Ambleside | A♭ Minor | 8 | 1A | 170 BPM | ||
| Beds | What We Lost | D♭ Minor | 9 | 12A | 95 BPM | ||
| I Died with You | Hotel Books | A Major | 10 | 11B | 145 BPM | ||
| The Hardest Part Is Forgetting Those You Swore You Would Never Forget | Being As An Ocean | A♭ Major | 9 | 4B | 133 BPM | ||
| Teeth | Casey | E Minor | 10 | 9A | 171 BPM | ||
| Cemetary | Landscapes | A Major | 9 | 11B | 142 BPM | ||
| Vacants | No Omega | D♭ Major | 9 | 3B | 114 BPM | ||
| Standing Alone - Isolation | Vales | D♭ Minor | 9 | 12A | 149 BPM | ||
| The View From Below | Departures | C Major | 8 | 8B | 198 BPM | ||
| I Should Have Never Left | No Home | F Minor | 10 | 4A | 100 BPM | ||
| Five Years | Parkwood | A Major | 9 | 11B | 122 BPM | ||
| Insomnia | Carpathian | E Minor | 10 | 9A | 92 BPM |