On 1989, the song "The Return" was released by Thom Rotella. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Thom Rotella's "Home Again" album is number 12 out of 13. In terms of popularity, The Return is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Return by Thom Rotella to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doxy | David Finck, Ed Czach, Aaron Kimmel | E Major | 2 | 12B | 124 BPM | ||
| Flying Away | Roberto Tola, Bob Mintzer | G Major | 7 | 9B | 90 BPM | ||
| Oliver's Twist | Chris Standring | B♭ Minor | 7 | 3A | 100 BPM | ||
| Bridges | Cal Harris Jr. | A♭ Major | 4 | 4B | 104 BPM | ||
| Antarctic | Ellis Knight | C Minor | 3 | 5A | 102 BPM | ||
| Love for Sale | Thom Rotella | F Major | 4 | 7B | 81 BPM | ||
| All Jazzed Up (And Nowhere To Go) | Everette Harp | F Major | 6 | 7B | 176 BPM | ||
| This Is for Lou | Thom Rotella, Ernie Watts | C Minor | 4 | 5A | 87 BPM | ||
| Third Wish | Joyce Cooling | D♭ Major | 8 | 3B | 105 BPM | ||
| On The Wes Side | Jeff Golub | A Minor | 4 | 8A | 96 BPM | ||
| Undun | Steve Cole | E♭ Minor | 4 | 2A | 116 BPM | ||
| On the Move | Count Basic | F Minor | 6 | 4A | 99 BPM | ||
| North, South, East And Wes | Chuck Loeb | G Major | 7 | 9B | 120 BPM | ||
| After-Blue Hour | Violetta Panini | B♭ Minor | 4 | 3A | 115 BPM | ||
| Ana Maria | David Garfield | A♭ Major | 5 | 4B | 129 BPM | ||
| Sangria | D.S. Wilson | D Minor | 6 | 7A | 200 BPM | ||
| Four | Rasmus H Thomsen Trio, Krydda Sundström, Oskar Cederblad | A♭ Major | 1 | 4B | 100 BPM | ||
| Pamela | Brian Hughes | A♭ Minor | 7 | 1A | 120 BPM | ||
| En tu frecuencia | Zypheron | C Minor | 3 | 5A | 116 BPM | ||
| Brass Shadows | Violetta Panini | C Minor | 6 | 5A | 116 BPM | ||
| Look But Don't Touch | Thom Rotella | E Minor | 9 | 9A | 100 BPM | ||
| Back To St. Joe | David Hamilton | B♭ Minor | 5 | 3A | 121 BPM | ||
| City Pastel Swing | Bluestroke | C Minor | 3 | 5A | 116 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| The Original (For Dad) | Arlington Jones | E♭ Minor | 6 | 2A | 78 BPM |