"Sei Lá (A Vida Sempre Tem Razão)" by Baleia had its release date on June 5, 2018. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Quase Todas as Versões que Já Tocamos Até Hoje Enfim em um Só Lugar". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Brazil. Based on our statistics, Sei Lá (A Vida Sempre Tem Razão)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sei Lá (A Vida Sempre Tem Razão) by Baleia having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muralha | O Cinza | D♭ Minor | 9 | 12A | 100 BPM | ||
| Não Cabe em Nós | Jadsa | A Major | 3 | 11B | 140 BPM | ||
| Não Chora | Móveis Coloniais de Acaju | A♭ Major | 4 | 4B | 160 BPM | ||
| Trovoa | Maurício Pereira | D Major | 4 | 10B | 73 BPM | ||
| Volta | Baleia | C Major | 8 | 8B | 148 BPM | ||
| Mãe Sampa | Paulo Vieira, Tulipa Ruiz | F Major | 3 | 7B | 132 BPM | ||
| Cola Comigo | Castello Branco | B Minor | 4 | 10A | 96 BPM | ||
| Conselho do Bom Senso | Tuyo | B Minor | 6 | 10A | 138 BPM | ||
| Dois Lados da Canção | Graveola | A♭ Major | 3 | 4B | 115 BPM | ||
| Conversa de Botas Batidas | Los Hermanos | F Major | 5 | 7B | 133 BPM | ||
| Agora Meu Coração É Um Lixeiro Azul Vazio Escroto | Cidade Dormitório | E Minor | 7 | 9A | 160 BPM | ||
| duas cores | Mombojó | D♭ Minor | 7 | 12A | 127 BPM | ||
| Te valorizo | Tiê | G Major | 2 | 9B | 107 BPM | ||
| O Seu Tipo | Filarmônica de Pasárgada, Luiz Tatit, Ná Ozzetti, Kassin | D Minor | 4 | 7A | 166 BPM | ||
| Inconsciente Inconsistente | Vitrola Sintética | B Major | 2 | 1B | 132 BPM | ||
| Fica | O Cinza | B Minor | 5 | 10A | 120 BPM | ||
| Madalena | Besouro Mulher, Camila Cortellini | A Minor | 6 | 8A | 78 BPM | ||
| Me Sara | Tono | C Major | 8 | 8B | 95 BPM | ||
| Não Me Confunda | Castello Branco | A Major | 5 | 11B | 95 BPM | ||
| Vai, Menina | Ana Larousse | D Major | 2 | 10B | 120 BPM | ||
| Você Não É Mais Planeta | Plutão Já Foi Planeta | A♭ Minor | 7 | 1A | 118 BPM | ||
| Mãe | Walfredo em Busca da Simbiose | A Major | 5 | 11B | 110 BPM | ||
| Preso no Amanhã | Tagua Tagua | B Minor | 5 | 10A | 144 BPM | ||
| Certas Surrealidades | Choque do Magriça | A Minor | 8 | 8A | 106 BPM | ||
| Peso do Corpo | Ventre | E Minor | 8 | 9A | 96 BPM |