Ram Thapa, Tara Thapa's ' "Katar Katarma" was released on its scheduled release date, November 18, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ram Thapa, Tara Thapa, Meera Rana's "Lok Suseli" album is number 2 out of 6. On top of that, Norway appears to be the country where this track was created. In terms of popularity, Katar Katarma is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Katar Katarma by Ram Thapa, Tara Thapa to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Manchheko Maya | Narayan Gopal, Gyanu Rana | D♭ Minor | 3 | 12A | 81 BPM | ||
| Sapanima Anjuli Bhari ma | Lekali Band | A Major | 10 | 11B | 120 BPM | ||
| Lahare Bar | Balram, Jayananda, Tara Thapa, Baba, Sarita | D Major | 6 | 10B | 124 BPM | ||
| Yo Naniko Siraima | Bidhan Shrestha | B Major | 8 | 1B | 94 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Mathi Mathi | Tara Thapa, Bom Bahadur Karki, Sunita subba, Sudar Shrestha, Yukta Gurung, Prem Raja Mahat, UshaKiran Adhikari, Pandav Sunuwar, Bulu Mukarung, Sarala Gauchan | D Major | 8 | 10B | 82 BPM | ||
| Timilai Hasera Bida | Natikaji, Taradevi | C Major | 3 | 8B | 85 BPM | ||
| Ghar Kaha Ho Pardeshi | Tara Thapa | D♭ Major | 7 | 3B | 78 BPM | ||
| Tinau Kholapari | Ram Chandra Kafle, Arjun Kaushal | A Major | 7 | 11B | 79 BPM | ||
| Chhuttiyera Timi Sanga | Deepak Sharma, Pramod Kharel | D Major | 6 | 10B | 105 BPM | ||
| Aanshu Ra Suskera | Natikaji, Taradevi, Tara Thapa | A♭ Major | 7 | 4B | 92 BPM | ||
| Dueta Phul Deuralima | Narayan Gopal | D♭ Major | 3 | 3B | 64 BPM | ||
| Suna Katha Eauta Geet | Danny Denzongpa | C Minor | 6 | 5A | 76 BPM | ||
| Mann Saili | Aashusen Lama, Prashant Tamang | A Minor | 8 | 8A | 78 BPM | ||
| Mohani Lagla Hai | Narayan Gopal, Asha Bhosle | E Major | 4 | 12B | 72 BPM | ||
| Hajar Choti | Deepak Jangam, Tara Thapa | A Major | 7 | 11B | 128 BPM | ||
| Ma Aankha Ma Rakhine | Saran Pradhan, Aruna Lama | C Major | 5 | 8B | 162 BPM | ||
| Campus Padna Aauni | Radhika Hamal, Pashupati Sharma | D Major | 6 | 10B | 120 BPM | ||
| Ekadashi Bajaraima | Khem Raj Gurung | E Major | 5 | 12B | 122 BPM | ||
| Chalechha Batas Sustari | Shambhu Rai | D Major | 5 | 10B | 136 BPM | ||
| Namana Laaja | Prem Dhoj Pradhan | F Major | 5 | 7B | 131 BPM | ||
| Gailai Charaudai-Paat Bajaune Mayalai | Prem Raja Mahat, Komal oli, Narayan Rayamajhi | C Major | 6 | 8B | 160 BPM | ||
| Mutu Chune Lumleko | Paribesh Band | D Major | 8 | 10B | 92 BPM | ||
| Kun Desh Ki Pari | Ram Thapa, Hikmat Mali | D Major | 6 | 10B | 116 BPM | ||
| Timi Mero Ma Timro | Indrajeet Mijar, Asha Bhosle | G Major | 5 | 9B | 107 BPM |