Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 4. Baccanal by Max Reger, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht Song Details

Max Reger, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht's 'Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 4. Baccanal' had a release date set for June 29, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 10 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 4. Baccanal is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op. 128: 4. Baccanal by Max Reger, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.239 dB
Acousticness: 90%
Danceability: 34%
Energy: 19%
Instrumentalness: 86%
Liveness: 33%
Loudness: 66%
Speechiness: 4%
Valence: 22%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Psalm 100, Op. 106: 2. "Erkennet, daß der Herr Gott ist"	Max Reger, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker, Fritz Walter-Lindquist	D Major	1	10B	61 BPM
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Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam	Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss	E Major	0	12B	113 BPM
Sonate, Op. 71: II. Nocturne – Presque adagio	Charles Koechlin, Julien Hardy, Simon Zaoui	E♭ Major	0	5B	77 BPM
Symphony in C Major, Op. 46: II. Sehr langsam -	Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	87 BPM
Melartin : Berceuse, Op. 44 No. 4 (Kehtolaulu)	Erkki Melartin, Kaija Saarikettu, Raija Kerppo	A♭ Major	0	4B	93 BPM
Piano Trio in G Minor, Op. 17: III. Andante	Clara Schumann, Dartington Piano Trio	D Minor	2	7A	87 BPM
Elegy, Op. 58	Edward Elgar, English Chamber Orchestra, Paul Goodwin	F Minor	0	4A	106 BPM
52 Easy Chorale Preludes, Op. 67: No. 20, Jesus, meine Zuversicht	Max Reger, Bernhard Buttmann	C Major	0	8B	62 BPM
Soirees musicales, Op. 6: III. Mazurka	Clara Schumann, Yoshiko Iwai	C Major	0	8B	66 BPM
Benedictus, Op. 59, No. 9	Max Reger, Peter Hurford	D♭ Major	0	3B	74 BPM
Prelude a l'apres-midi d'un faune (feat. Andrew Davis)	Jeanne Baxtresser	A♭ Minor	2	1A	169 BPM
Tempus fugit: I. Part 1	Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert	A Major	2	11B	123 BPM
Rossini: Péchés de vieillesse, Vol. 6 "Album pour les enfants dégourdis": No. 7, Une caresse à ma femme	Gioachino Rossini, Aldo Ciccolini	E♭ Major	1	5B	143 BPM
Damase: Berceuse pour cor et piano, Op. 19	Jean-Michel Damase, David Pyatt, Martin Jones	B♭ Major	0	6B	69 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. —	Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky	F♯ Major	0	2B	172 BPM
12 Pieces, Op. 59: No. 11, Melodia in B-Flat Major	Max Reger, Josef Still	B♭ Major	0	6B	82 BPM
Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death	Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov	A Major	0	11B	77 BPM
5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir)	Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius	F Major	1	7B	104 BPM
Balakirev: Berceuse in D-Flat Major	Mily Balakirev, Bertrand Chamayou	D♭ Major	1	3B	70 BPM
Stabat Mater, FP 148: I. Stabat mater dolorosa	Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss	A Minor	1	8A	135 BPM
L'Ondine, Op. 101	Cécile Chaminade, Anette Muller-Roos	E♭ Major	1	5B	80 BPM
Piano Concerto No. 1 in C Minor, Op 33: III. Coda. Allegro molto	Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra	F♯ Major	1	2B	105 BPM
Ballet Suite, Op. 130: 3. Harlequin	Max Reger, Bamberg Symphony, Horst Stein	A Minor	0	8A	70 BPM