On 1992, the song "Writing In The Sand" was released by George Wallington. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Pleasure Of A Jazz Inspiration". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Writing In The Sand is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Writing In The Sand by George Wallington having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Latin Blue | The Don Rendell / Ian Carr Quintet | D♭ Major | 3 | 3B | 156 BPM | ||
| Jazz Of Two Cities | Warne Marsh | G Minor | 3 | 6A | 114 BPM | ||
| Jessy at Midnight | Mario Monty | A♭ Major | 4 | 4B | 63 BPM | ||
| Dropout | The Uris Quartet | A♭ Major | 2 | 4B | 114 BPM | ||
| Algoritmos de la aguja magnética | Piolet electrónico | G Minor | 5 | 6A | 101 BPM | ||
| Sextette (12) | Oscar Pettiford | F Minor | 3 | 4A | 92 BPM | ||
| Golden Horn Jam | Horn Society | F Major | 2 | 7B | 61 BPM | ||
| Scarlet Blades | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Ginger Night | Ella Mercer | G Major | 0 | 9B | 94 BPM | ||
| No blues | Horace Parlan | F Major | 3 | 7B | 91 BPM | ||
| Down for Double | Al Cohn, Joe Newman, Freddie Green | A♭ Major | 4 | 4B | 205 BPM | ||
| Trial Run | The Jazz Room | F Minor | 3 | 4A | 62 BPM | ||
| The Monarch | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Soft Talk - Take 1 | Sun Ra & His Arkestra | F Major | 5 | 7B | 95 BPM | ||
| The Way You Look Tonight | Tina Brooks | F Major | 4 | 7B | 136 BPM | ||
| Returns | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| For Heaven's Sake | Tina Brooks | E♭ Major | 1 | 5B | 119 BPM | ||
| Infatuation | Fats Navarro | F Major | 5 | 7B | 107 BPM | ||
| Gentle Midnight Drift | Artie Lee Three | F Minor | 1 | 4A | 76 BPM | ||
| Pixel Beak | BirdKeys | A♭ Major | 4 | 4B | 151 BPM | ||
| Totalmente Solo | Cromatica nocturna | B♭ Major | 3 | 6B | 172 BPM | ||
| The Room After Words | Milo Crescent | F Major | 2 | 7B | 119 BPM | ||
| Side Door Serenade | Milo Crescent | F Major | 2 | 7B | 119 BPM | ||
| Letters | Kenneth James Trio | F Major | 2 | 7B | 119 BPM | ||
| Timeless Blue | Raymond Cole Quartet | F Major | 2 | 7B | 119 BPM |