On 2014, the song "Cha Cha Cha em Lisboa" was released by Max. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Cha Cha Cha em Lisboa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Max's "Max" album is number 9 out of 14. In terms of popularity, Cha Cha Cha em Lisboa is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cha Cha Cha em Lisboa by Max to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muxima | Duo Ouro Negro | B Minor | 5 | 10A | 76 BPM | ||
| Canção De Lisboa | Fernando Farinha | A Minor | 3 | 8A | 133 BPM | ||
| Fado Tapum | El Moura | E Major | 8 | 12B | 75 BPM | ||
| Eterna Amizade | Fernando Farinha | A Minor | 1 | 8A | 111 BPM | ||
| Lisboa Antiga | Tony De Matos | C Major | 3 | 8B | 181 BPM | ||
| Quem Vai Ao Fado | Jorge Fernando | A Major | 2 | 11B | 133 BPM | ||
| Dª Maroca | Rouxinol Faduncho, Marco Horacio | G Major | 4 | 9B | 99 BPM | ||
| Esta Voz | Ricardo Ribeiro | C Minor | 1 | 5A | 95 BPM | ||
| Maria Madalena | Lucília Do Carmo | G Major | 3 | 9B | 111 BPM | ||
| Divino Fado | Maria Da Fé | C Minor | 2 | 5A | 77 BPM | ||
| Pintadinho | Maria Teresa De Noronha | A Major | 2 | 11B | 141 BPM | ||
| Madalena | Tuna Universitária do Porto, Orfeão Universitário do Porto | D Minor | 6 | 7A | 99 BPM | ||
| Procuro e Não Te Encontro | Tony De Matos | G Minor | 4 | 6A | 120 BPM | ||
| Rosinha dos Limões | Madalena Iglesias | D Minor | 3 | 7A | 133 BPM | ||
| Sempre que Lisboa canta | Carlos Ramos | A♭ Major | 2 | 4B | 90 BPM | ||
| Fado Antigo | Manuel De Almeida | F Major | 3 | 7B | 125 BPM | ||
| Memorial | Super Porto | A Minor | 3 | 8A | 133 BPM | ||
| Foi Um Bem Conhecer-te | Manuel De Almeida | F Major | 3 | 7B | 131 BPM | ||
| E o lenço a dizer adeus | Frei Hermano Da Câmara | E Minor | 5 | 9A | 103 BPM | ||
| Uma Casa Portuguesa | Francisco José | F Major | 3 | 7B | 125 BPM | ||
| Porto Santo | Max | E Minor | 4 | 9A | 106 BPM | ||
| Vira de São Martinho | Grupo Folclórico da Casa de Portugal - São Paulo | E Major | 6 | 12B | 111 BPM | ||
| Pode Ser Saudade | Jorge Fernando | B Major | 3 | 1B | 132 BPM | ||
| Se Eu Lhe Disser o Teu Nome | Jose Antonio Sabrosa, Linda Leonardo | D♭ Minor | 4 | 12A | 93 BPM | ||
| Minha Lisboa de Mim | Katia Guerreiro | C Minor | 3 | 5A | 124 BPM |