On January 30, 1992, the song "Siempre Te Vas En Las Tardes" was released by Chaney. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 7 in Chaney by Chaney. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Siempre Te Vas En Las Tardes is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Siempre Te Vas En Las Tardes by Chaney is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Con Pocas Palabras Basta | Orquesta Mulenze | A Minor | 7 | 8A | 101 BPM | ||
| Fría Como el Viento | Silva & Guerra | G Minor | 8 | 6A | 150 BPM | ||
| Ámame | Amilcar Boscan | F Major | 8 | 7B | 84 BPM | ||
| Después de una Mentira | Hansel Camacho | D Minor | 7 | 7A | 90 BPM | ||
| Te Pido Perdon | Matecana Orquesta | B Minor | 5 | 10A | 90 BPM | ||
| Dejala Pepe | Frankie Hernandez y su Orquesta | C Major | 7 | 8B | 90 BPM | ||
| La Cita | Orlando Collado | B♭ Minor | 8 | 3A | 94 BPM | ||
| Hablame En La Cama | Mario Ortiz Y Su Orquesta | C Major | 7 | 8B | 170 BPM | ||
| Una Mujer Secreta | Joe King | E♭ Major | 6 | 5B | 168 BPM | ||
| Adivina Quién Te Ama | Salsa Picante, El Inspector De La Salsa, Salsa Kids | A Minor | 9 | 8A | 94 BPM | ||
| Nadie Se Compara Contigo | José Alberto "El Canario" | G Major | 5 | 9B | 91 BPM | ||
| Ricky Spanish | Chaney, Channie, Velcro Fridge | G Major | 9 | 9B | 152 BPM | ||
| Por Ella | Max Torres | D♭ Minor | 7 | 12A | 167 BPM | ||
| To the End | Chaney | A Minor | 4 | 8A | 133 BPM | ||
| Que Será de Ti | Luis Enrique | A♭ Major | 6 | 4B | 97 BPM | ||
| Alabao | Luis "Perico" Ortiz | B♭ Major | 6 | 6B | 98 BPM | ||
| Como Has Llegado a Mi Vida | Kittin | F Minor | 6 | 4A | 83 BPM | ||
| De Ninguna Manera | Mario Ortiz Y Su Orquesta | A Minor | 7 | 8A | 94 BPM | ||
| Pensándolo Bien | Sonora Ponceña | D Minor | 2 | 7A | 110 BPM | ||
| Esa Mujer | Alex León | F Major | 7 | 7B | 165 BPM | ||
| Como Amigo Si, Como Amante No | Nino Segarra | E Minor | 7 | 9A | 93 BPM | ||
| El Final de Nuestra Historia | Lefty Perez | F Minor | 9 | 4A | 92 BPM | ||
| Y Qué | Ray De La Paz | A Minor | 4 | 8A | 97 BPM | ||
| Mentiras | Lefty Perez | F Minor | 9 | 4A | 95 BPM | ||
| Aquí Conmigo | Paquito Guzman | D Major | 5 | 10B | 89 BPM |