"To Love A Rotting Piano" by Kenneth James Gibson had its release date on March 9, 2018. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kenneth James Gibson's "In The Fields Of Nothing" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. To Love A Rotting Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Love A Rotting Piano by Kenneth James Gibson to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poured Semi Silently Upon You | Kenneth James Gibson | E Minor | 2 | 9A | 60 BPM | ||
| Lateral Decomposition | Kenneth James Gibson | G Major | 2 | 9B | 83 BPM | ||
| Fearless Whispurrs | Tomasz Bednarczyk | A Minor | 2 | 8A | 86 BPM | ||
| Layer by Layer | Rena Jones | E♭ Major | 1 | 5B | 103 BPM | ||
| Starting the Process of Stopping | Daniel G. Harmann | F Major | 2 | 7B | 68 BPM | ||
| A Warm Static Sphere (Part VIII) | 36 | E Minor | 4 | 9A | 109 BPM | ||
| An Untroubled Moment On Magnus Bridge | Kenneth James Gibson | F Major | 1 | 7B | 74 BPM | ||
| Gaze | Pjusk, Arovane | D♭ Major | 3 | 3B | 55 BPM | ||
| Ephemeral | Death Hags | D♭ Major | 4 | 3B | 120 BPM | ||
| As If | Jogging House, The Lifted Index | B♭ Minor | 1 | 3A | 88 BPM | ||
| Blue Tears Never Dry | Pan-American, Michael Grigoni | C Major | 1 | 8B | 65 BPM | ||
| Purranormal Cativities - S l o w e d | Tomasz Bednarczyk | A♭ Minor | 2 | 1A | 66 BPM | ||
| Hillside Settling | Abstract Aprils | E♭ Major | 2 | 5B | 143 BPM | ||
| Inertia & Refugia | Steve Hauschildt | B Major | 4 | 1B | 58 BPM | ||
| Wide Open (In Two Parts) | Almost An Island, marine eyes, Kenneth James Gibson, James Bernard | G Major | 3 | 9B | 90 BPM | ||
| Bosque | Jon Aguirrezabalaga, Verde Prato | C Major | 1 | 8B | 72 BPM | ||
| Schauer der Musen | Segensklang | A Major | 3 | 11B | 94 BPM | ||
| Death, Reverb and Decay | Christina Vantzou, John Also Bennett, Oliver Coates | B♭ Minor | 1 | 3A | 76 BPM | ||
| Key To The Heart - Still | Moshimoss | F Major | 1 | 7B | 83 BPM | ||
| Vision Six | Janek Gwizdala | E Minor | 1 | 9A | 70 BPM | ||
| Roots and Rhythms | Yavari | C Major | 2 | 8B | 127 BPM | ||
| xxx.xi.mmxxv | Tomáš Niesner | E♭ Major | 3 | 5B | 73 BPM | ||
| Dawn for a Day | Abstract Aprils | B♭ Major | 0 | 6B | 137 BPM | ||
| Form 12 | K. Leimer | D Major | 3 | 10B | 127 BPM | ||
| Subconscious Familiarity | Patricia Wolf | D Major | 1 | 10B | 91 BPM |