"13 Preludes, Op. 32: No. 5 in G Major. Moderato" by Sergei Rachmaninoff, Ruth Slenczynska had its release date on January 14, 2022. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Rachmaninoff: 13 Preludes, Op. 32: No. 5 in G Major. Moderato only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. 13 Preludes, Op. 32: No. 5 in G Major. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 13 Preludes, Op. 32: No. 5 in G Major. Moderato by Sergei Rachmaninoff, Ruth Slenczynska having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Symphony No. 2 in E Minor, Op. 27: III. Adagio (Transcr. Trifonov for 2 Pianos) | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 2 | 7A | 82 BPM | ||
| Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
| Evening Song No. 2 | Philip Glass, Timo Andres | F Major | 1 | 7B | 130 BPM | ||
| Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | ||
| Violin Concerto in D Major, Op. 3, No. 1: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Minor | 0 | 7A | 96 BPM | ||
| Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
| Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Prélude in C Minor, Op. 11, No. 20 | Julius Asal, Alexander Scriabin | B Minor | 0 | 10A | 69 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
| 6 Romances, Op. 6: No. 6, None but the Lonely Heart (Arranged for Violin & Orchestra by Joshua Bell) | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F Minor | 2 | 4A | 98 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegro molto vivace | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | ||
| Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
| 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | ||
| A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
| Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Orpheus Chamber Orchestra | A Minor | 1 | 8A | 109 BPM | ||
| Siren Sounds Waltz: II. Waltz No. 1 | Alma Deutscher | A Major | 0 | 11B | 84 BPM | ||
| 13 Preludes, Op. 32: No. 5 in G Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
| Unsent Love Letters | Elena Kats-Chernin, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 183 BPM | ||
| Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Vladimir Horowitz | D♭ Minor | 0 | 12A | 75 BPM | ||
| wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM |