- BPM
- 135
- Key
- A Minor
- Camelot
- 8A
8 Miniaturas (Arr. for Recorder, Percussion & Guitar): No. 7, Toada by Antonio Ribeiro, Michala Petri, Marilyn Mazur, Daniel Murray Song Details
"8 Miniaturas (Arr. for Recorder, Percussion & Guitar): No. 7, Toada" by Antonio Ribeiro, Michala Petri, Marilyn Mazur, Daniel Murray had its release date on July 7, 2017. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 22 in Brazilian Landscapes by Marilyn Mazur, Daniel Murray, Michala Petri. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, 8 Miniaturas (Arr. for Recorder, Percussion & Guitar): No. 7, Toada's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 8 Miniaturas (Arr. for Recorder, Percussion & Guitar): No. 7, Toada by Antonio Ribeiro, Michala Petri, Marilyn Mazur, Daniel Murray is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.358 dB
- Acousticness
- 98%
- Danceability
- 29%
- Energy
- 3%
- Instrumentalness
- 45%
- Liveness
- 19%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lute Suite No. 3 in A Minor, BWV 995: I. Prelude & Presto (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM | |
 | Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 1 | 8A | 175 BPM | |
 | Harpsichord Concerto No. 1 in D minor BWV 1052 (from reconstructed lost violin concerto): Allegro | Johann Sebastian Bach, Xuefei Yang | G Minor | 2 | 6A | 106 BPM | |
 | 涙のパヴァーヌ | John Dowland, 広田智之, Yasuji Ohagi | D Minor | 1 | 7A | 85 BPM | |
 | Tambourin in E Minor Book I No.6 - Duo-Art 0228 Br | Jean-Philippe Rameau, Jeanne-Marie Darre, Peter Phillips | F♯ Minor | 2 | 11A | 149 BPM | |
 | Suite in A Major: VI. Canaries | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
 | Love Is Here to Stay (Arr. John W Duarte) | Andrew Keeping | D Major | 0 | 10B | 79 BPM | |
 | Vals No. 18 in E Major | Pedro Ximénez Abril y Tirado, Christopher Avilez | F♯ Minor | 2 | 11A | 149 BPM | |
 | Andante No. 9 in E Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | E♭ Minor | 1 | 2A | 106 BPM | |
 | O Magnum Mysterium (From: Motetos do Pretérito) | Antonio Ribeiro, Hamburger Knabenchor | F♯ Minor | 2 | 11A | 149 BPM | |
 | Quince Estudios Venezolanos: No. 3, Cancion Paramena | Efrain Silva, Ivan Petričević | D Major | 1 | 10B | 134 BPM | |
 | Sonatina 4. a Capriccio | Teresa de Rogatis, Clara Campese | F Major | 3 | 7B | 65 BPM | |
 | Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | |
 | Toccata settima: Toccata settima | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | |
 | Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | |
 | Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | |
 | Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | F♯ Minor | 2 | 11A | 149 BPM | |
 | Tansman: Inventions: V. Aria. Lento cantabile | Alexandre Tansman, Thibaut García | G Minor | 0 | 6A | 128 BPM | |
 | Feet In The Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | |
 | Fantasia IX in B minor for solo violin TWV 4022 | Pablo Menéndez | D Major | 1 | 10B | 174 BPM | |
 | Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | |
 | Spagna | Vincenzo Capirola, Guillem Perez-Quer | D Major | 0 | 10B | 103 BPM | |
 | Tango Suite: No. 2, Andante rubato, melancolico | Yuri Liberzon, Piotr Pakhomkin | C Major | 0 | 8B | 77 BPM | |
| Suite in A Major: I. Prélude | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | |
![Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 3, Sindbads Reise [Sinbad's Journey] by Carlo Domeniconi, Celil Refik Kaya](https://i.scdn.co/image/ab67616d00001e02bbf058552cfadd190d26a4a3) | Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle I: No. 3, Sindbads Reise [Sinbad's Journey] | Carlo Domeniconi, Celil Refik Kaya | A Major | 1 | 11B | 99 BPM |
- ISRC
- DKHJ61700218
- Label
- L-M Records/RCA Records