John Casken, Patricia Rozario, Mary Thomas, Paul Harrhy, Paul Wilson, Richard Morris, Music Projects London, Richard Bernas's ' "Golem, Pt. 1 "Prelude": Awake, Arise" was released on its scheduled release date, July 1, 2015. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 69 in Casken: Golem by John Casken, Adrian Clarke, Patricia Rozario, John Hall, Christopher Robson, Music Projects London, Richard Bernas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Golem, Pt. 1 "Prelude": Awake, Arise is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Golem, Pt. 1 "Prelude": Awake, Arise by John Casken, Patricia Rozario, Mary Thomas, Paul Harrhy, Paul Wilson, Richard Morris, Music Projects London, Richard Bernas is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM | ||
| 4 Motets pour un temps de pénitence, FP 97: No. 4, Tristis est anima mea | Francis Poulenc, Sumei Bao-Smith, The Choir Of Trinity College, Cambridge, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
| All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Jesus Christus resurrexit | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Major | 1 | 10B | 136 BPM | ||
| Repentance of the Prodigal Son | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Missa Rigensis: I. Kyrie eleison | Uģis Prauliņš, Irene Messoloras, Meridian | G Minor | 1 | 6A | 135 BPM | ||
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | ||
| Requiem: III. And God shall wipe away all tears | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Lucy Mitten | D Major | 0 | 10B | 83 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Purcell: Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge | E♭ Major | 1 | 5B | 97 BPM | ||
| Missa quinis vocibus | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | E♭ Minor | 1 | 2A | 135 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | G Minor | 1 | 6A | 72 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| COURTESY | Yasuharu Takanashi, NDR Radiophilharmonie, Pop-Up, Michael England | E♭ Major | 1 | 5B | 70 BPM | ||
| Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E♭ Minor | 1 | 2A | 108 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Magnificat & Nunc Dimittis: Magnificat | John Casken, Durham Cathedral Choir, Francesca Massey, James Lancelot | A Minor | 0 | 8A | 94 BPM |