"Finale" by Víctor Reyes had its release date on December 3, 2021. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Finale's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Víctor Reyes's "Love Gets a Room (Original Motion Picture Soundtrack)" album is number 15 out of 19. On top of that, France appears to be the country where this track was created. Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Finale by Víctor Reyes to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Tennyson | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | B♭ Minor | 1 | 3A | 158 BPM | ||
| Toast to a Kingsman | Henry Jackman, Matthew Margeson | F Major | 4 | 7B | 87 BPM | ||
| Jakob & Bella Escape | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| Requiem for the Fallen | Federico Jusid | F Major | 4 | 7B | 87 BPM | ||
| Most Alive Place | Benjamin Wallfisch, Chris Egan | F Major | 4 | 7B | 87 BPM | ||
| Post From The Past | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| A Royal Affair | Ruth Barrett | B♭ Minor | 2 | 3A | 117 BPM | ||
| Le Souffle de Vie | Germain Izydorczyk | F Major | 4 | 7B | 87 BPM | ||
| The Staff Room | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| An Ordeal of the Most Grievous Kind | Jeff Danna | C Major | 2 | 8B | 120 BPM | ||
| Pouvoir | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Iontrap Mirage | Lumen Sonico | F Minor | 3 | 4A | 95 BPM | ||
| Rorschach | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Ava and Michael | Bear McCreary | A Minor | 3 | 8A | 108 BPM | ||
| Le procès d'Athos | Guillaume Roussel | D Minor | 3 | 7A | 140 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Meld-Merized | Michael Giacchino | F Major | 1 | 7B | 59 BPM | ||
| Visions and Arrest | Bear McCreary | C Major | 0 | 8B | 86 BPM | ||
| Arresting the Suspect | Hannes De Maeyer | D♭ Minor | 3 | 12A | 108 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| Salinger In Luxembourg | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 2 | 3B | 115 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM |