"les feuilles mortes" by Joseph Kosma had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. les feuilles mortes's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When Summer Turns To Fall by John Fry. The song's track number on the album is #6 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. les feuilles mortes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since les feuilles mortes by Joseph Kosma has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With les feuilles mortes being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Satie: 6 Gnossiennes: No. 1, Lent | Erik Satie, Thomas Dunford | D Minor | 3 | 7A | 107 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | F Major | 0 | 7B | 85 BPM | ||
| Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Massenet: Élégie (Version for Cello and Piano) | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 88 BPM | ||
| Je te veux (Version for Piano) | Erik Satie, Dario Müller | E Minor | 1 | 9A | 69 BPM | ||
| Monteverdi: Sì dolce è'l tormento, SV 332 (Arr. Diluka for Piano) | Claudio Monteverdi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Tàmâr Mĕtūshelāḥ | Olivia Belli, Gautier Capuçon | D Major | 1 | 10B | 80 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Sonatine pour violon et piano: III. Allegro vivace | Joseph Kosma, David Moreau, Thomas Tacquet | A Minor | 2 | 8A | 80 BPM | ||
| Die stumme Serenade, Op. 36: No. 23, Ohne Dich (Transcr. Sonnenmoser for Violin & Piano) | Erich Wolfgang Korngold, Bomsori, Thomas Hoppe | D Major | 2 | 10B | 89 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Alice Sara Ott | F Major | 0 | 7B | 81 BPM | ||
| The Windmills of Your Mind (From "The Thomas Crown Affair") | Michel Legrand, Renaud Capuçon, Les Siècles, Duncan Ward | D Major | 2 | 10B | 83 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version) | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
| 3 Gymnopédies: 1. Lent et douloureux | Erik Satie, Alice Sara Ott | G Major | 0 | 9B | 76 BPM | ||
| Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
| Nocturne No. 20 en Do Dièse Mineur, Op. posth. | Philippe Rombi, Stefan Rodescu | F♯ Minor | 1 | 11A | 96 BPM | ||
| Ravel: Boléro | Maurice Ravel, Hayato Sumino | C Major | 2 | 8B | 136 BPM | ||
| 6 Consolations, S. 172: No. 3 in D flat major (Lento, placido) | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 75 BPM | ||
| 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM |