"Theme, Variations, and Finale" by Laurie Altman, Ena Barton, Phyllis Lehrer, Vesselin Gelev, Zach Brock, Caleb Burhans, Elizabeth Thompson, Kenneth Ellison, Tom Buckelew, Andrew Rathbun, Flora Newberry, James Day, Randall Bauer, Tomasz Rzeczycki, Scott Lee, Patrice Michaels, Helen Richman, Michael Fennely, Elem Eley, Alexandra Sopp, Gilad Harel, Steven Beck, Jason Treuting, Jesse Mills, Douglas Perkins, Allistair MacRae, Ruth Ochs, Carl Christian Bettendorf had its release date on September 1, 2008. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "On Course". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Theme, Variations, and Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Theme, Variations, and Finale by Laurie Altman, Ena Barton, Phyllis Lehrer, Vesselin Gelev, Zach Brock, Caleb Burhans, Elizabeth Thompson, Kenneth Ellison, Tom Buckelew, Andrew Rathbun, Flora Newberry, James Day, Randall Bauer, Tomasz Rzeczycki, Scott Lee, Patrice Michaels, Helen Richman, Michael Fennely, Elem Eley, Alexandra Sopp, Gilad Harel, Steven Beck, Jason Treuting, Jesse Mills, Douglas Perkins, Allistair MacRae, Ruth Ochs, Carl Christian Bettendorf having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Sonata No. 10 "Aleppo": I. Ruins | Laurie Altman, Clipper Erickson | E Minor | 1 | 9A | 146 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Ravel : Pavane pour une infante défunte | Maurice Ravel, James Rhodes | G Major | 0 | 9B | 79 BPM | ||
| Crystals | Emil Brandqvist, Emil Brandqvist Trio | C Minor | 3 | 5A | 96 BPM | ||
| Tale Of A Man | Vassilis Tsabropoulos | A Major | 0 | 11B | 105 BPM | ||
| Danza, Danza | Francesco Durante, Anders Miolin, Laurie Altman | B Minor | 0 | 10A | 133 BPM | ||
| P. | Sylvain Chauveau | B♭ Major | 0 | 6B | 87 BPM | ||
| In Memory | Vassilis Tsabropoulos, Anja Lechner, U.T. Gandhi | A Minor | 0 | 8A | 109 BPM | ||
| Right Way | Laurie Altman, Randy Bauer, Florian Egger, Andrew Rathbun, Bartosz Sikorski, Srdjan Vukasinovic, DANIEL ALMADA, Daniel Sieber | G Major | 5 | 9B | 87 BPM | ||
| Meditation I - Lord Watch Over Me - Live | Brad Mehldau | A Major | 3 | 11B | 91 BPM | ||
| Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
| Queen | Neil Cowley Trio | D Major | 2 | 10B | 82 BPM | ||
| Tanto Espaço | Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
| Impulse | Franghiz Ali-Zadeh, Hilary Hahn, Cory Smythe | D♭ Major | 2 | 3B | 81 BPM | ||
| Semiosis | Thomas Fonnesbæk, Justin Kauflin | B Minor | 3 | 10A | 91 BPM | ||
| La plus que lente, L. 121 | Claude Debussy, Javier Perianes | F♯ Major | 0 | 2B | 68 BPM | ||
| Chase | Trichotomy | A♭ Major | 4 | 4B | 108 BPM | ||
| Music for 18 Musicians (modular version): Section V | Steve Reich, Ensemble Signal | E Major | 5 | 12B | 108 BPM | ||
| Particles Waves | Benjamin Woodgates, Calum Huggan, Angela Wai Nok Hui | E Minor | 2 | 9A | 79 BPM | ||
| Chorinho | Bill Charlap, Renee Rosnes | C Major | 2 | 8B | 122 BPM | ||
| Islands Azores | Hiromi | A Major | 1 | 11B | 151 BPM | ||
| Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Symphony Orchestra Of Norrlands Opera, Kristjan Järvi | D♭ Major | 1 | 3B | 174 BPM | ||
| Coffee Club | Aoife Ní Bhriain, Cormac McCarthy | D Major | 2 | 10B | 83 BPM | ||
| Kutsanmış / Blessed / Gesegnet | H. Umut Asil | C Major | 0 | 8B | 80 BPM |