John Adams, Yuja Wang's 'China Gates' had a release date set for April 17, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel's "John Adams: Must the Devil Have All the Good Tunes?" album is number 4 out of 4. The popularity of China Gates is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of China Gates by John Adams, Yuja Wang to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Iberia, T. 105 / Book 4: No. 10, Málaga | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
| Pièces froides / II. Danses de travers: 1. En y regardant à deux fois | Hélène Grimaud | A Minor | 0 | 8A | 72 BPM | ||
| Wild Swans Suite: II. Eliza Aria (Version for Piano) | Elena Kats-Chernin, Lang Lang | F Major | 2 | 7B | 81 BPM | ||
| Prelude 6 - Pt. 1 | Max Richter | B♭ Minor | 0 | 3A | 218 BPM | ||
| Strum | Jessie Montgomery, Catalyst Quartet | A Major | 2 | 11B | 110 BPM | ||
| Phrygian Gates | John Adams, Ralph van Raat | D♭ Minor | 1 | 12A | 63 BPM | ||
| Piano Concerto: V. Exploration | Teddy Abrams, Yuja Wang, Louisville Orchestra | D♭ Major | 5 | 3B | 128 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A♭ Minor | 1 | 1A | 51 BPM | ||
| Empty Rituals | Nahre Sol | F Minor | 2 | 4A | 120 BPM | ||
| Lyric Pieces, Book 10, Op. 71: No. 1, Once upon a Time | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
| The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | ||
| Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
| Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
| Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | A Major | 0 | 11B | 81 BPM | ||
| Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Bertrand Chamayou | D♭ Major | 2 | 3B | 102 BPM | ||
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| Song Without Words, Op. 109 | Felix Mendelssohn, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 71 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| Minuet in E Major, D. 335 | Franz Schubert, Arcadi Volodos | E Major | 0 | 12B | 61 BPM | ||
| Satie: Gnossiennes: IV. Lent | Erik Satie, Hélène Grimaud | C Major | 0 | 8B | 96 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | A♭ Minor | 1 | 1A | 51 BPM | ||
| Concerto No. 1, "Infinite Games": II. Canon in C - After Canon Trias Harmonica a 8, BWV 1072 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | C Major | 1 | 8B | 174 BPM | ||
| Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM |