Track 333 - Atlans Rückkehr - Perry Rhodan - Silber Edition 124 by Peter Griese, Kurt Mahr, Hans Kneifel, Martin Bross Song Details

Peter Griese, Kurt Mahr, Hans Kneifel, Martin Bross's ' "Track 333 - Atlans Rückkehr - Perry Rhodan - Silber Edition 124" was released on its scheduled release date, August 6, 2014. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 103 out of 347 in Atlans Rückkehr [Perry Rhodan - Silber Edition 124 (Ungekürzt)] by Peter Griese, Kurt Mahr, Hans Kneifel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Track 333 - Atlans Rückkehr - Perry Rhodan - Silber Edition 124 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

The tempo marking of Track 333 - Atlans Rückkehr - Perry Rhodan - Silber Edition 124 by Peter Griese, Kurt Mahr, Hans Kneifel, Martin Bross is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -9.749 dB
Acousticness: 68%
Danceability: 71%
Energy: 33%
Instrumentalness: 0%
Liveness: 32%
Loudness: 84%
Speechiness: 94%
Valence: 56%

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