"酒とバラの日々" by アンディ・ウィリアムス had its release date on May 19, 2020. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 酒とバラの日々's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in アンディ・ウィリアムス ベスト&グレイテスト・ヒッツ, so we believe that "酒とバラの日々" is a single. 酒とバラの日々 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 酒とバラの日々 by アンディ・ウィリアムス is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 恋の一番列車 | 二―ル・セダカ | A Minor | 7 | 8A | 149 BPM | ||
| A Pretty Girl Is Like a Melody | Earl Hines Orchestra, Johnny Hartman | B♭ Major | 2 | 6B | 68 BPM | ||
| Through! (How Can You Say We're Through?) | Ray Anthony | C Major | 4 | 8B | 86 BPM | ||
| Beloved | Mario Lanza, Constantine Callinicos | G Minor | 3 | 6A | 88 BPM | ||
| Forgotten Dreams | Eddie Calvert | F♯ Major | 3 | 2B | 81 BPM | ||
| グリーン・フィールズ | ブラザース・フォア | B Minor | 2 | 10A | 151 BPM | ||
| 40 Shades of Green | Ruby Murray | E Minor | 6 | 9A | 138 BPM | ||
| 80日間世界一周 | ビクター・ヤング楽団 | D Major | 3 | 10B | 126 BPM | ||
| The Classics Playing in a Room Away | Oldies Playing | A♭ Minor | 1 | 1A | 67 BPM | ||
| May You Always | Joan Regan | B♭ Major | 2 | 6B | 68 BPM | ||
| シェルブールの雨傘 | ダニエル・リカーリ | C Minor | 2 | 5A | 99 BPM | ||
| Little Things Mean a Lot | Cliff Richard & The Shadows | D♭ Major | 5 | 3B | 81 BPM | ||
| They Can't Take That Away from Me | Alford Beier | D Major | 5 | 10B | 100 BPM | ||
| 愛の讃歌 | ブレンダ・リー | C Major | 4 | 8B | 208 BPM | ||
| So Help Me (If I Don't Love You) | Percy Faith, Mitch Miller | A♭ Major | 4 | 4B | 74 BPM | ||
| Sentimental Me | The Ames Brothers | B♭ Major | 2 | 6B | 68 BPM | ||
| Say It with Flowers | Joe Longthorne | B♭ Minor | 5 | 3A | 140 BPM | ||
| Monuments to Motion | TAPA BLANCA | B♭ Major | 2 | 6B | 68 BPM | ||
| The Fading Hour | CONTR3 VIGAS | E Minor | 2 | 9A | 108 BPM | ||
| Girl Talk | Buddy Greco | F Major | 3 | 7B | 73 BPM | ||
| You Are My Sunshine | Cliff Adams Singers | F Major | 2 | 7B | 78 BPM | ||
| はるかなるアラモ | ブラザース・フォア | E♭ Minor | 3 | 2A | 104 BPM | ||
| 青春の光と影 | ジュディ・コリンズ | A♭ Major | 7 | 4B | 106 BPM | ||
| シェルブールの雨傘(映画「シェルブールの雨傘」より) | Michel Legrand | F Minor | 3 | 4A | 91 BPM | ||
| My Foolish Heart | Alford Beier | G Minor | 2 | 6A | 111 BPM |