Giovanni Pacini, Majella Cullagh, David Harper's ' "Pacini: Quando lo miro" was released on its scheduled release date, 2007. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Pacini: Quando lo miro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Il Salotto Vol. 11: La Serenata" album is number 2 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Pacini: Quando lo miro's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pacini: Quando lo miro by Giovanni Pacini, Majella Cullagh, David Harper to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Donizetti: Don Pasquale, Act 1: "Mi volete fiera?" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
| Stabat Mater: 3. Quis est homo qui non fleret | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | E Major | 1 | 12B | 72 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Falstaff / Act 2: "Gaie comari di Windsor!" | Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 92 BPM | ||
| Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa, Sir Georg Solti | G Major | 2 | 9B | 77 BPM | ||
| Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Rigoletto, Act II: Poiché fosti invano da me maledetto | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini | C Major | 1 | 8B | 103 BPM | ||
| Simon Boccanegra, Prologue: L'altra magion vedete? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 1 | 8B | 103 BPM | ||
| Medea: Sinfonia | Giovanni Pacini, Orchestra Sinfonica di Savona, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
| Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | A Minor | 1 | 8A | 169 BPM | ||
| Saffo: Act III: Scena II | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | D♭ Major | 2 | 3B | 64 BPM | ||
| Pacini: Maria, regina d'Inghilterra, Act 1: "Ah! Un pugnale a me porgete" (Ernesto, Fenimoore) | Giovanni Pacini, David Parry, Philharmonia Orchestra | D♭ Major | 3 | 3B | 111 BPM | ||
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | ||
| Mozart: Così fan tutte, K. 588, Act II, Scene 4: No. 21, Duetto con coro. "Secondate, aurette amiche" (Ferrando, Guglielmo, Chorus) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, The Philharmonia Chorus, Karl Böhm, Philharmonia Orchestra | D Minor | 0 | 7A | 130 BPM | ||
| L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| Pacini: Alessandro nell'Indie, Act 1: "Ella viene" (Timagene, Alessandro) | Giovanni Pacini, David Parry, London Philharmonic Orchestra | D Major | 2 | 10B | 130 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
| Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM |