"Death Toll" by Joseph Trapanese, Clark Rhee had its release date on October 16, 2020. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Release (Music from the Original TV Series)". In this album, this song's track order is #11. In terms of popularity, Death Toll is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Death Toll by Joseph Trapanese, Clark Rhee having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Orion | 2WEI | F Major | 4 | 7B | 150 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Tamlin's Betrayal | The Duology, Taylor Ash, Lindsay Dills | F Minor | 1 | 4A | 87 BPM | ||
| Competidores Reales | Verdes Atardeceres | A Major | 2 | 11B | 77 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| The Alpha | Sarah Schachner | D Major | 1 | 10B | 138 BPM | ||
| The Sound or Nothing | Mark Isham | D♭ Major | 6 | 3B | 118 BPM | ||
| Min pappa är död | Isak Lundberg | F Minor | 1 | 4A | 87 BPM | ||
| Together We Fight | Daniel Pemberton | D Minor | 5 | 7A | 110 BPM | ||
| The Call | Dario Marianelli | B Major | 1 | 1B | 74 BPM | ||
| The Battle | Harry Gregson-Williams | C Minor | 6 | 5A | 119 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Late Wee Pups Don't Get to Bark | Sonya Belousova, Giona Ostinelli, Lindsay Deutsch | D Minor | 2 | 7A | 125 BPM | ||
| Lokasenna - From "Thor: The Dark World"/Score | Brian Tyler | C Major | 2 | 8B | 65 BPM | ||
| Lazarus | David Arnold, Michael Price | A Minor | 2 | 8A | 119 BPM | ||
| Pact Sworn in Blood | Marc Streitenfeld | E Minor | 1 | 9A | 100 BPM | ||
| Coming Back Around | John Powell | E Major | 8 | 12B | 113 BPM | ||
| Pure spirits of the forest | James Horner | C Major | 0 | 8B | 97 BPM | ||
| Reunited | Alan Silvestri | D Major | 2 | 10B | 80 BPM | ||
| Ask the Saints | Joseph Trapanese, The Budapest Art Orchestra | F Major | 1 | 7B | 133 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| What Lies At The Dream's End | Daniel Pemberton | D Minor | 3 | 7A | 87 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| The Battle of the Pelennor Fields | Howard Shore | E Minor | 4 | 9A | 121 BPM |