On 1970, the song "Big Time Crip" was released by Andy Kirk. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Andy Kirk's "Instrumentally Speaking" album is number 15 out of 139. The popularity of Big Time Crip is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Big Time Crip by Andy Kirk to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sugar (1947) | Joe Liggins | F Major | 2 | 7B | 126 BPM | ||
| Four or Five Times | Four | F Major | 3 | 7B | 140 BPM | ||
| How Could You? | Michael Gamble & The Rhythm Serenaders | C Major | 2 | 8B | 165 BPM | ||
| Harlem on Saturday Night | Lil Hardin Armstrong | B♭ Major | 3 | 6B | 125 BPM | ||
| Hot And Anxious | Fletcher Henderson | F Minor | 2 | 4A | 133 BPM | ||
| Black Coffee | Wingy Manone | B♭ Major | 3 | 6B | 125 BPM | ||
| Twenty Four Robbers | Jimmie Lunceford | B♭ Major | 3 | 6B | 125 BPM | ||
| Dinah | Brooks Prumo Orchestra | F Minor | 6 | 4A | 212 BPM | ||
| Froggy Bottom | Andy Kirk, Mary Lou Williams | A♭ Major | 4 | 4B | 116 BPM | ||
| On Chestnut Street | Charlie Barnet | B♭ Major | 3 | 6B | 125 BPM | ||
| All the Jive Is Gone - Alternate Take | Andy Kirk | B♭ Major | 3 | 6B | 125 BPM | ||
| You Need to Rock | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Tuxedo Junction | The Solomon Douglas Swingtet | A♭ Major | 4 | 4B | 76 BPM | ||
| Bearcat Shuffle | Andy Kirk, Mary Lou Williams | A♭ Major | 4 | 4B | 116 BPM | ||
| Tutti Frutti - Alternate Take | Slim & Slam | B♭ Major | 3 | 6B | 125 BPM | ||
| Walk 'Em | Buddy Johnson | B♭ Major | 3 | 6B | 125 BPM | ||
| For Dancers Only | Jimmie Lunceford | B♭ Major | 3 | 6B | 125 BPM | ||
| Jack, I'm Mellow | Charlie Shavers, The Blues Singers | E♭ Major | 3 | 5B | 98 BPM | ||
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Peckin' | Ben Pollack & His Orchestra | F Minor | 4 | 4A | 181 BPM | ||
| Dunkin' a Doughnut - Remastered | Andy Kirk | D Major | 4 | 10B | 166 BPM | ||
| Louisana Hayride | The Boswell Sisters | G Major | 3 | 9B | 136 BPM | ||
| Swing, Brother, Swing | Brooks Prumo Orchestra | A Minor | 4 | 8A | 147 BPM | ||
| Stomping at the Renny (05-25-37) | Edgar Hayes | A♭ Major | 5 | 4B | 173 BPM | ||
| Lotta sax appeal | Andy Kirk & His 12 clouds of Joy, Andy Kirk | B♭ Major | 5 | 6B | 107 BPM |