- BPM
- 49
- Key
- F Major
- Camelot
- 7B
Otello / Act 2: "Non ti crucciar" by Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti Song Details
Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti's 'Otello / Act 2: "Non ti crucciar"' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Otello / Act 2: "Non ti crucciar"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Otello by Giuseppe Verdi, Kiri Te Kanawa, Luciano Pavarotti, Anthony Rolfe Johnson, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti. The song's track number on the album is #10 out of 45 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Otello / Act 2: "Non ti crucciar" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Otello / Act 2: "Non ti crucciar" by Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti has a tempo of 49 beats per a minute, the tempo markings of this song would be Lento (slowly). With Otello / Act 2: "Non ti crucciar" being at 49 BPM, the half-time would be 24 BPM with a double-time of 98 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -26.646 dB
- Acousticness
- 97%
- Danceability
- 31%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nabucco: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 2 | 7B | 100 BPM | |
 | Carmina Burana: V. Ecce gratum | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | |
 | Verdi: Messa da Requiem: XIX. Dies irae | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 3 | 8B | 119 BPM | |
 | Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | |
 | La traviata: Act II: Amami, Alfredo! (Violetta, Alfredo) | Giuseppe Verdi, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa, Maria Callas, Alfredo Kraus, Franco Ghione | F Major | 6 | 7B | 90 BPM | |
 | Bizet: Carmen, WD 31, Act 1: Chœur des gamins. "Avec la garde montante, nous arrivons, nous voilà ! "(Chœur) | Georges Bizet, Michel Plasson, La Lauzeta, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | |
 | Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | D Major | 1 | 10B | 79 BPM | |
 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Kaiser-Walzer (Emperor Waltz), Op. 437 (RV 437) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 173 BPM | |
 | Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
 | Кармен, Act II: "Votre toast je peux vous le rendre" (Эскамильо, Фраскита, Мерседес, Кармен) | Жорж Бизе, Государственный академический камерный оркестр России, Константин Орбелян, Dmitri Hvorostovsky, Марнье Брекенридж, Виктория Смирнова, Анастасия Чикаева | B♭ Major | 3 | 6B | 175 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco … Da qual tremore insolito" (Il Commendatore, Don Giovanni, Chorus, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 2 | 6B | 75 BPM | |
 | I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | |
 | La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | |
 | Strauss Jr., J.: Frühlingsstimmen, Op. 410 (Excerpt) | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | B♭ Major | 1 | 6B | 112 BPM | |
 | Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | |
 | Il trovatore, Act I: Di due figli – Abbietta zingara – Sull'orlo dei tetti | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Minor | 1 | 9A | 105 BPM | |
 | Giulio Cesare, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 65 BPM | |
 | Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 68 BPM | |
 | Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Robert Lloyd, Thomas Allen, Simone Alaimo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 78 BPM | |
 | Otello, Act II: Dove guardi splendono… Non parlo ancor di prova | Giuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich Haider | G Minor | 1 | 6A | 103 BPM | |
 | Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chœur) | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Chœurs de la Monnaie, Jessye Norman, Orchestre Symphonique De La Monnaie | D Major | 1 | 10B | 81 BPM | |
 | Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | |
 | Bizet: Carmen, Act 2: "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercédès, Carmen, Zuniga, Chœur) | Georges Bizet, Rafael Frühbeck de Burgos, Bernard Gontcharenko, Chœur du Théâtre national de l'Opéra de Paris, Éliane Lublin, Grace Bumbry, Kostas Paskalis, Viorica Cortez, Orchestre du Théâtre National de l'Opéra de Paris | G Minor | 0 | 6A | 124 BPM |
- ISRC
- GBF079140410
- Label
- L-M Records/RCA Records