Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard's ' "The Wooden Prince, Sz. 60 (Final Version): XIII. The Fairy Comforts the Prince" was released on its scheduled release date, March 29, 2024. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 29 in Bartok: The Wooden Prince (Final Version) by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Wooden Prince, Sz. 60 (Final Version): XIII. The Fairy Comforts the Prince's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Wooden Prince, Sz. 60 (Final Version): XIII. The Fairy Comforts the Prince by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Phoebée, Op. 30 | Mel Bonis, Maria Stembolskaya | E♭ Major | 0 | 5B | 68 BPM | ||
| 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | ||
| Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
| 6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Buscum | Cinthya Garcia, Béla Bartók | D Minor | 1 | 7A | 71 BPM | ||
| No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Major | 8 | 10B | 129 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Allegro barbaro, BB 63 | Béla Bartók, Martin Kasík | B Minor | 2 | 10A | 98 BPM | ||
| Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
| Mathis der Maler Symphony: I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
| Romanian Folk Dances, Sz 56: I. Joc cu bata - Allegro moderato | Béla Bartók, Andrew Rangell | G Major | 0 | 9B | 52 BPM | ||
| V mlhách (In the Mists), JW VIII/22: I. Andante | Leoš Janáček, Andrew Rangell | D♭ Minor | 0 | 12A | 62 BPM | ||
| Préludes / Book 1, L. 117: 6. Des pas sur la neige | Claude Debussy, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Liebermann: Gargoyles, Op. 29: II. Adagio semplice, ma con molto rubato | Lowell Liebermann, Stephen Hough | A♭ Major | 0 | 4B | 99 BPM | ||
| Gai printemps | Mel Bonis, Trio Alouette | A Major | 1 | 11B | 64 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Round Dance Of The Princesses | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | D♭ Minor | 0 | 12A | 82 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | D Minor | 1 | 7A | 128 BPM | ||
| Fantasie in D Minor, K. 397 | Wolfgang Amadeus Mozart, Ken Ara | D Minor | 1 | 7A | 128 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D Minor | 1 | 7A | 128 BPM | ||
| Soirées musicales, Op. 6: No. 2, Nocturne | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 71 BPM | ||
| Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |